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Writer: Rom Watson

Rom Watson is the author of the full-length plays Image and Likeness, Manifesto of Silence, Pickle Juice, The Norma Conquests: The Three Faces of Norma, My Fair Norma, The Importance of Being Norma; Lying Beneath the Surface and Pinocchio in The Bronx; the 10-minute plays A Twin Out of Time, The Test, Three Syllables of Shame, Celebrity Death Watch, Performance Anxiety, Mead and Stu go Caroling and Mr. Cuddles; and the libretto for Chamber Music for Bonsai Trees, which is based upon a short novel in the public domain. Twelve of his 30 short plays have been produced, and others have had readings at The Road Theatre, Moving Arts, The MET Theatre, Fierce Backbone, Alliance Repertory Company, Unknown Theatre, The Laura Henry Studio, Celebration Theatre, Neo Ensemble Theatre and the ALAP festivals Dramapalooza, Dramapocalypto and Dramakaze. He is a member of The Alliance of Los Angeles Playwrights and has been a member of The Dramatists Guild of America, Inc. since 1996. More at http://www.romwatson.com/

Director: Jan Swank

Jan Swank has produced and directed over 300 theatre productions and appeared in over 100 in his professional career. He was Managing Artistic Director of three different theatres over 35 years. His production of The Diviners won four awards, including Best Producer (Director) and the Audience Award at the International Festival in Dundalk, Ireland. He attended Indiana-Purdue Ft. Wayne, Southern Oregon University, and the University of South Dakota. He holds a BFA in Classical Theatre, an MA in Theatre, and an MFA in Theatre Directing.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...