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Story:
For some, Christmas can bring up a lot of issues and when you add children to it, you might have to re-think the whole holiday.

Writer: Faith de Savigne

Faith de Savigne has worked as a theatre critic, arts writer, and columnist. As well as having poems and poetry reviews published in various literary journals, she has completed two Masters Degrees in English Literature (UNSW) and Creative Writing (UWS).

Director: Bernadette Armstrong

Bernadette moved to Los Angeles to work in film in the late 1990s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated).

CAST

Sue Gisser - as Yvonne

Sue Gisser is trained at the Royal Academy of Dramatic Art in London, Steppenwolf West, the Groundlings, iOWest, Second City, Antaeus Academy, Theatricum Botanicum, and holds a BFA from Mason Gross School of the Arts at Rutgers. In her professional career, Sue is blessed to seldom work with a director, show, or theatre company only once. She's recurred on "Shameless," "Strangers with Candy," and "Solved;" did multiple spots in campaigns for 'Burlington Coat Factory,' 'Mercury Insurance,' and 'Cedar Fair;' completed 20 tours between the Shoestring Players, Open Window Entertainment, and the George Street Playhouse; her films include "The Activist" and "In the Air"- both by French Director Cyril Morin. This is her first podcast, and she's totally hooked. Playing Char has been an honor. Sue is grateful to Bernadette for opening up this new world to her, and for the opportunity to work on this beautiful play, with such strong, talented women! @suegisser

Whitton Frank - as Marsha

Whitton Frank is a voice, film, television, and theater actor living in Los Angeles. Recent work includes the award-winning horror short Seeing Green as well as immersive vo work in

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...