Andrew Hickey presents a history of rock music from 1938 to 1999, looking at five hundred songs that shaped the genre.
Sat, March 22, 2025
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the third and final (and very, very long) part of a multi-episode look at the song “Never Learn Not to Love” by the Beach Boys, and the links between Charles Manson and the LA music scene, as well as the life of Huddie “Lead Belly” Ledbetter. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ninety-minute bonus episode available, on “The Letter” by the Box Tops and the career of Alex Chilton . I’ve also started up an email newsletter at https://it-was-ninety-years-ago-today.ghost.io/ . I took a temporary break from that while finishing this episode, as it became much, much longer than I expected, but I will be resuming it shortly. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Fri, January 31, 2025
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the third part of a multi-episode look at the song “Never Learn Not to Love” by the Beach Boys, and the links between Charles Manson and the LA music scene, as well as the life of Huddie “Lead Belly” Ledbetter. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-eight-minute bonus episode available, on “ Fruit Tree” by Nick Drake . I’ve also started up an email newsletter at https://it-was-ninety-years-ago-today.ghost.io/ Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, December 16, 2024
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the second part of a multi-episode look at the song “Never Learn Not to Love” by the Beach Boys, and the links between Charles Manson and the LA music scene. Click the full post to read liner notes, links to more information, and a transcript of the episode. This one is later than normal, for reasons explained in the episode. The next one should be up much sooner. Patreon backers also have a twenty-five-minute bonus episode available, on “Israelites” by Desmond Dekker . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Trailer · Tue, December 10, 2024
This is just to let people know that there is a better than usual reason for the longer than normal delay in the next episode. I was about to record it early last week, when checking a minor detail I discovered a book published this year, after I’d bought the books I used for the research, which showed that everything in the first half of the episode — everything that had been published in every book on Huddie Ledbetter, who is the focus of that first half — was badly mistaken. I had to totally scrap a completed script and redo the research from scratch. I start recording tomorrow and it should be up in a few days. I think you’ll agree when you hear it that it’s worth the extra time it ended up taking.
Tue, November 19, 2024
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a multi-episode look at the song “Never Learn Not to Love” by the Beach Boys, and the links between Charles Manson and the LA music scene. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifty-five-minute bonus episode available, on “Light Flight” by Pentangle Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Thu, October 17, 2024
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the fourth and final part of a multi-episode look at the song “Sympathy for the Devil” and the career of the Rolling Stones. This episode covers January through December 1969, and may distress some listeners as it deals with murder, drowning, attempted suicide, and miscarriage. It’s not a happy episode. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-two-minute bonus episode, on “La Conferencia Secreta del Toto’s Bar” by Los Shakers . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sun, September 22, 2024
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the third part of a multi-episode look at the song “Sympathy for the Devil” and the career of the Rolling Stones. This episode covers so much though , even though it only takes us from February 1967 through December 1968, that by itself it is one of the longer episodes of the podcast (hence the longer-than-usual delay between parts two and three). Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifty-minute bonus episode, on “I Think it’s Going to Rain Today” by Randy Newman . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, August 19, 2024
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the second part of a multi-episode look at the song “Sympathy for the Devil” and the career of the Rolling Stones. This episode takes us from April 1966 through to the release of “Let’s Spend the Night Together”/”Ruby Tuesday” Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on “Laurel Canyon Home” by John Mayall . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Thu, August 01, 2024
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a multi-episode look at the song “Sympathy for the Devil” and the career of the Rolling Stones. This episode takes us from the release of “Satisfaction” through to the release of “Paint it Black”. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a nineteen-minute bonus episode, on “Amen Brother” by the Winstons . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sat, July 13, 2024
This episode is part of Pledge Week 2024. From Tuesday through Saturday this week I’m posting some of my old Patreon bonuses to the main feed, as a taste of what Patreon backers get. If you enjoy them, why not subscribe for a dollar a month at patreon.com/andrewhickey ? (more…)
Fri, July 12, 2024
This episode is part of Pledge Week 2024. From Tuesday through Saturday this week I’m posting some of my old Patreon bonuses to the main feed, as a taste of what Patreon backers get. If you enjoy them, why not subscribe for a dollar a month at patreon.com/andrewhickey ? (more…)
Thu, July 11, 2024
This episode is part of Pledge Week 2024. From Tuesday through Saturday this week I’m posting some of my old Patreon bonuses to the main feed, as a taste of what Patreon backers get. If you enjoy them, why not subscribe for a dollar a month at patreon.com/andrewhickey ? (more…)
Wed, July 10, 2024
This episode is part of Pledge Week 2024. From Tuesday through Saturday this week I’m posting some of my old Patreon bonuses to the main feed, as a taste of what Patreon backers get. If you enjoy them, why not subscribe for a dollar a month at patreon.com/andrewhickey ? (more…)
Tue, July 09, 2024
This episode is part of Pledge Week 2024. From Tuesday through Saturday this week I’m posting some of my old Patreon bonuses to the main feed, as a taste of what Patreon backers get. If you enjoy them, why not subscribe for a dollar a month at patreon.com/andrewhickey ? (more…)
Trailer · Mon, July 08, 2024
An announcement of this year’s pledge week. To sign up to the Patreon, visit http://patreon.com/andrewhickey Transcript Welcome to Pledge Week 2024. For those who don’t know — perhaps you’ve only recently started listening to the podcast — this podcast is entirely funded by people backing me on Patreon, the crowdfunding site, and so occasionally I’ll do a pledge week, where I remind people about this and encourage people to sign up. The main benefit you get for signing up to the Patreon, other than the knowledge that you’re supporting an independent creator, is bonus episodes. There’s one of these with every main episode, and sometimes random other ones as well. They’re shorter episodes than the main episodes — I say at the end of each main episode that they’re ten minutes, and that’s how they started out, but often in more recent years they’ve been twenty-five minutes or more, sometimes as long as an hour, as they’ve grown in the same way the main episodes have grown. These bonus episodes are about artists who for whatever reason don’t fit into the main narrative I’m telling. Sometimes they’re a massively important artist, but one who never interacted much with the rest of the music world and made their own path, and so they don’t feed into the larger story. Sometimes they’re an obscure artist who never had much success at the time but gained a cult following after their death. Sometimes they’re just a personal favourite of mine who I can’t really justify devoting a main episode to. Sometimes they’re someone who made great music but had a boring story that wouldn’t be worth spending a long time over, but I can tell the highlights, and sometimes they’re someone who made terrible music but had a fascinating story. And sometimes they’re people who I would cover in a main episode but who there’s simply not enough information about to tell the story in any detail. There are lots of reasons for artists being covered in the Patreon but some of the episodes I’ve done for that have been among my favourites. Anyway, anyone who signs up to the Patreon as a backer for $1 or more gets access to every single bonus episode I’ve done, and continues to get access to new ones as long as they’re a backer. Now I have to emphasise this time round that that is “for $1 or more”. For some reason known only to themselves, the people at Patreon recently decided it would be a good idea for their crowdfunding site which exists as a way for people to pay artists they want to support, if they put in a compulsory free tier on every account where you pay nothing, and to make that the default that people see. So if you sign up, you see “Sign up for free!” If you sign up for free you won’t get anything. But if you sign up for $1 a month, you’ll get somewhere in the region of two hundred bonus episodes — and if you want you can cancel right after you do
Tue, July 02, 2024
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a two-episode look at the song “Everyday People”. This episode looks at the whole career of Sly and the Family Stone, from their first rehearsal until today. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-five-minute bonus episode, on “Living in the Past” by Jethro Tull . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Thu, June 13, 2024
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a two-episode look at the song “Everyday People”. This week we take a short look at the formation of Sly and the Family Stone, and in a week’s time we’ll look at the group’s career after they formed. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-five-minute bonus episode, on “Je T’Aime… Moi Non Plus” by Serge Gainsbourg and Jane Birkin . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Fri, May 24, 2024
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “I Heard it Through the Grapevine”. This week we’re looking at the career of Marvin Gaye from 1963 through 1970, as well as his duet partners Mary Wells, Kim Weston, and Tammi Terrell, whose tragically short life comes with a great many content warnings. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode, on “In-A-Gadda-Da-Vida” by Iron Butterfly And if you just can’t get enough of me talking, I’ve also guested this week, with Tilt and Gary from The Sitcom Club , on our friend Tyler’s podcast Goon Pod , talking about the 1974 film Man About The House. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, May 07, 2024
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a two-episode look at the song “I Heard it Through the Grapevine”. This week we take a short look at the song’s writers, Norman Whitfield and Barrett Strong, and the first released version by Gladys Knight and the Pips. In two weeks time we’ll take a longer look at the sixties career of the song’s most famous performer, Marvin Gaye. This episode is quite a light one. That one… won’t be. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on “Bend Me Shape Me” by Amen Corner . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Bonus · Fri, May 03, 2024
Transcript The next proper episode will be up in a couple of days – I’m recording it tonight – but I just wanted to make a brief announcement. It has recently been brought to my attention that the French language podcast Un dernier disque avant la fin du monde has, for nearly two years, been making French-language versions of my podcast without giving me credit (the episodes before that don’t seem to be ripped off from me), and has been monetising them on Patreon – including making his own French-language versions of some of my Patreon bonuses. This is not a case of someone just taking inspiration from my work. It’s not someone doing episodes on the same songs and possibly leaning a little too heavily on me as a source. That kind of thing is forgivable. This is someone who has been doing word-for-word translations, without my permission, and without crediting me or even notifying me, and posting them as his own work. As far as my schoolboy French indicates he’s not even lightly paraphrasing. He clearly listens to my podcast, so I am going to give him until Monday to take all those episodes down and post an apology before I contact a lawyer. I’m posting this publicly so that anyone who has been listening to his show and wondering about the similarity, or listening in the belief I authorised his work, knows that this is the work of a plagiarist, not something I’ve endorsed in any way. And if anyone *wants* to do translated versions of my work, they can contact me and make proper arrangements. I put too much time and effort into my job to have someone pass my work off as theirs without a fight.
Sun, April 14, 2024
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “All Along the Watchtower”. Part one was on the original version by Bob Dylan, while this part is on Jimi Hendrix’s cover version. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on “Games People Play” by Joe South . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata: I mispronounce Ed Chalpin’s name as Halpin for most of the episode. And towards the end I say “January the 28th 1969” when I meant 1970 (more…)
Mon, March 25, 2024
For those who haven’t heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the first of a two-episode look at the song “All Along the Watchtower”. This one is on the original version by Bob Dylan, while part two will be on Jimi Hendrix’s cover version. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on “Alice’s Restaurant Massacree” by Arlo Guthrie . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Fri, March 01, 2024
For those who haven’t heard the announcement I just posted , songs from this point on will sometimes be split among multiple episodes, so this is the fourth and final part of a four-episode look at the Byrds in 1966-69 and the birth of country rock, this time mostly focused on what Gram Parsons and Chris Hillman did after leaving the band. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode, on “The Dark End of the Street” by James Carr . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Fri, February 16, 2024
For those who haven’t heard the announcement I just posted , songs from this point on will sometimes be split among multiple episodes, so this is the third part of a four-episode look at the Byrds in 1966-69 and the birth of country rock. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on “Fire” by The Crazy World of Arthur Brown . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Thu, February 01, 2024
For those who haven’t heard the announcement I just posted , songs from this point on will sometimes be split among multiple episodes, so this is the second part of a multi-episode look at the Byrds in 1966-69 and the birth of country rock. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on “ With a Little Help From My Friends” by Joe Cocker . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Wed, January 17, 2024
For those who haven’t heard the announcement I just posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a multi-episode look at the Byrds in 1966-69 and the birth of country rock. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode on “My World Fell Down” by Sagittarius . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Bonus · Wed, January 17, 2024
This is just a brief announcement. The fact that I’ve released stuff so inconsistently over the last year, along with the last episode being so long that it actually caused problems for Tilt’s editing softwaere has caused me to reconsider how I’m breaking these episodes up. I have had very good reasons for making the episodes longer rather than doing multiple parts — we would have had episodes titled “White Light/White Heat”, “Eight Miles High”, and “Good Vibrations” which literally didn’t mention at all the bands they were ostensibly about, and people would have got very annoyed at listening to an episode supposedly about the Beach Boys and finding it was entirely about a Soviet inventor in the 1920s. But the balance has tipped the other way now. Things have got a bit ridiculous. So what I’m doing npw is I’m still writing the scripts the same way I always do, as one long narrative, but then once a script is finished I will break it into sections of about 5-10,000 words (somewhere in the 45-minute to ninety minute range) depending on where natural cliffhangers come, and I will release those parts fortnightly. There still might be gaps between the last part of the previous song and the first part of the next, but probably nothing like as long as they have been. The actual content will still be the same — just for example the Velvet Underground episode would have been split into three or four parts, with the first part ending with John Cale joining the story, and me saying “join us in two weeks time”. But it’ll be broken up into more manageable parts which hopefully won’t cause Tilt’s editing software to explode, and if you like listening to it all in one go you can just wait until the final part of that story and then listen to it all. So today you’re going to get, not ‘Episode 172, “Hickory Wind” by the Byrds’, but ‘SONG 172: “Hickory Wind” by the Byrds: Part 1, Ushering in a New Dimension”, and then Song 172 part two two weeks later. I want to emphasise that this will still be *exactly the same content* as it would otherwise be. The stories will go on as long as they need to. Some will be a single episode, some will be three or four. But breaking it up like this should mean you get more consistent releases and I can get ahead. Indeed, it *might* mean I could go back to weekly episodes — I’ve averaged somewhere in the region of thirty thousand words per month last year on the main podcast, which would be four seven-thousand-word episodes — but I won’t even think about that unless I start to actually build up a backlog. The stories should be getting shorter anyway as we finally move out of the late sixties, so the rate of storytelling *should* get faster, but this way at least you’re going to get regular episodes. So listen to today’s episode, and then join me again in precisely two weeks as Gram Parsons joins the story.
Sun, December 17, 2023
Episode 171 looks at “Hey Jude”, the White Album , and the career of the Beatles from August 1967 through November 1968. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifty-seven-minute bonus episode available, on “I Love You” by People! . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, November 21, 2023
Episode 170 of A History of Rock Music in Five Hundred Songs looks at “Astral Weeks”, the early solo career of Van Morrison, and the death of Bert Berns. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-minute bonus episode available, on “Stoned Soul Picnic” by Laura Nyro . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, October 30, 2023
Episode 169 of A History of Rock Music in Five Hundred Songs looks at “Piece of My Heart” and the short, tragic life of Janis Joplin. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode available, on “Spinning Wheel” by Blood, Sweat & Tears . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Thu, September 28, 2023
Episode 168 of A History of Rock Music in Five Hundred Songs looks at “I Say a Little Prayer”, and the interaction of the sacred, political, and secular in Aretha Franklin's life and work. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-five-minute bonus episode available, on "Abraham, Martin, and John" by Dion . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errat a I say the Gospelaires sang backing vocals on Doris Troy's "Just One Look". That's what the sources I used said, but other sources I've since been pointed to say that the vocals are all Troy, multi-tracked, and listening to the record that sounds more plausible. Also, I talk about ? and the Mysterians' "96 Tears" just after talking about white rock hits, but don't actually say they were white themselves. To be clear, ? and the Mysterians were Latino. Resources No Mixcloud this week, as there are too many songs by Aretha Franklin. Even splitting it into multiple parts would have required six or seven mixes. My main biographical source for Aretha Franklin is Respect: The Life of Aretha Franklin by David Ritz , and this is where most of the quotes from musicians come from. Information on C.L. Franklin came from Singing in a Strange Land: C. L. Franklin, the Black Church, and the Transformation of America by Nick Salvatore. Country Soul by Charles L Hughes is a great overview of the soul music made in Muscle Shoals, Memphis, and Nashville in the sixties. Peter Guralnick’s Sweet Soul Music: Rhythm And Blues And The Southern Dream Of Freedom is possibly less essential, but still definitely worth reading. Information about Martin Luther King came from Martin Luther King: A Religious Life by Paul Harvey. I also referred to Burt Bacharach's autobiography Anyone Who Had a Heart , Carole King's autobiography A Natural Woman , and Soul Serenade: King Curtis and his Immortal Saxophone by Timothy R. Hoover . For information about Amazing Grace I also used Aaron Cohen's 33 1/3 book on the album . <a href
Mon, August 14, 2023
Episode one hundred and sixty-seven of A History of Rock Music in Five Hundred Songs looks at “The Weight” by the Band, the Basement Tapes, and the continuing controversy over Dylan going electric. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode available, on “S.F. Sorrow is Born” by the Pretty Things . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Also, a one-time request here — Shawn Taylor, who runs the Facebook group for the podcast and is an old and dear friend of mine, has stage-three lung cancer. I will be hugely grateful to anyone who donates to the GoFundMe for her treatment . (more…)
Sun, July 02, 2023
Episode 166 of A History of Rock Music in Five Hundred Songs looks at “Crossroads”, Cream, the myth of Robert Johnson, and whether white men can sing the blues. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-eight-minute bonus episode available, on “Tip-Toe Thru’ the Tulips” by Tiny Tim. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sat, May 20, 2023
Episode 165 of A History of Rock Music in Five Hundred Songs looks at “Dark Star” and the career of the Grateful Dead. This is a long one, even longer than the previous episode, but don't worry, that won't be the norm. There's a reason these two were much longer than average. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode available, on "Codine" by the Charlatans . Errata I mispronounce Brent Mydland's name as Myland a couple of times, and in the introduction I say "Touch of Grey" came out in 1988 -- I later, correctly, say 1987. (I seem to have had a real problem with dates in the intro -- I also originally talked about "Blue Suede Shoes" being in 1954 before fixing it in the edit to be 1956) Resources No Mixcloud this week, as there are too many songs by the Grateful Dead, and Grayfolded runs to two hours. I referred to a lot of books for this episode, partly because almost everything about the Grateful Dead is written from a fannish perspective that already assumes background knowledge, rather than to provide that background knowledge. Of the various books I used, Dennis McNally's biography of the band and This Is All a Dream We Dreamed: An Oral History of the Grateful Dead by Blair Jackson and David Gans are probably most useful for the casually interested. Other books on the Dead I used included McNally's Jerry on Jerry , a collection of interviews with Garcia; Deal , Bill Kreutzmann's autobiography; The Grateful Dead FAQ by Tony Sclafani; So Many Roads by David Browne; Deadology by Howard F. Weiner; Fare Thee Well by Joel Selvin and Pamela Turley; and Skeleton Key: A Dictionary for Deadheads by David Shenk and Steve Silberman. Tom Wolfe's The Electric Kool-Aid Acid Test is the classic account of the Pranksters, though not always reliable. I reference Slaughterhouse Five a lot. As well as the novel itself , which everyone should read, I also read this rather excellent graphic novel adaptation , and The Writer's Crusade , a book about the writing of the novel. I also reference Ted Sturgeon's More Than Human . For
Mon, April 03, 2023
Episode 164 of A History of Rock Music in Five Hundred Songs looks at “White Light/White Heat” and the career of the Velvet Underground. This is a long one, lasting three hours and twenty minutes. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-three minute bonus episode available, on “Why Don’t You Smile Now?” by the Downliners Sect . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, February 27, 2023
Episode 163 of A History of Rock Music in Five Hundred Songs looks at “(Sittin’ on) The Dock of the Bay”, Stax Records, and the short, tragic, life of Otis Redding. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-three minute bonus episode available, on “Soul Man” by Sam and Dave . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, January 31, 2023
Episode 162 of A History of Rock Music in Five Hundred Songs looks at “Daydream Believer”, and the later career of the Monkees, and how four Pinocchios became real boys. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode available, on “Born to be Wild” by Steppenwolf . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Fri, January 13, 2023
Episode one hundred and sixty-one of A History of Rock Music in Five Hundred Songs looks at “Alone Again Or”, the career of Love, and the making of Forever Changes . Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode available, on “Susan” by the Buckinghams Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Bonus · Thu, December 29, 2022
As we’re in the period between Christmas and New Year, the gap between episodes is going to be longer than normal, and the podcast proper is going to be back on January the ninth. So nobody has to wait around for another fortnight for a new episode, I thought I’d upload some old Patreon bonus episodes to fill the gap. Every year around Christmas the bonus episodes I do tend to be on Christmas songs and so this week I’m uploading three of those. These are older episodes, so don’t have the same production values as more recent episodes, and are also shorter than more recent bonuses, but I hope they’re still worth listening to. (more…)
Bonus · Wed, December 28, 2022
As we’re in the period between Christmas and New Year, the gap between episodes is going to be longer than normal, and the podcast proper is going to be back on January the ninth. So nobody has to wait around for another fortnight for a new episode, I thought I’d upload some old Patreon bonus episodes to fill the gap. Every year around Christmas the bonus episodes I do tend to be on Christmas songs and so this week I’m uploading three of those. These are older episodes, so don’t have the same production values as more recent episodes, and are also shorter than more recent bonuses, but I hope they’re still worth listening to. (more…)
Bonus · Tue, December 27, 2022
As we’re in the period between Christmas and New Year, the gap between episodes is going to be longer than normal, and the podcast proper is going to be back on January the ninth. So nobody has to wait around for another fortnight for a new episode, I thought I’d upload some old Patreon bonus episodes to fill the gap. Every year around Christmas the bonus episodes I do tend to be on Christmas songs and so this week I’m uploading three of those. These are older episodes, so don’t have the same production values as more recent episodes, and are also shorter than more recent bonuses, but I hope they’re still worth listening to. (more…)
Thu, December 22, 2022
Episode 160 of A History of Rock Music in Five Hundred Songs looks at “Flowers in the Rain" by the Move, their transition into ELO, and the career of Roy Wood. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode available, on "The Chipmunk Song" by Canned Heat . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Note I say "And on its first broadcast, as George Martin's theme tune for the new station faded, Tony Blackburn reached for a record." -- I should point out that after Martin's theme fades, Blackburn talks over a brief snatch of a piece by Johnny Dankworth. Resources As so many of the episodes recently have had no Mixcloud due to the number of songs by one artist, I’ve decided to start splitting the mixes of the recordings excerpted in the podcasts into two parts. Here’s part one and part two . There are not many books about Roy Wood, and I referred to both of the two that seem to exist -- this biography by John van der Kiste, and this album guide by James R Turner. I also referred to this biography of Jeff Lynne by van der Kiste, The Electric Light Orchestra Story by Bev Bevan, and Mr Big by Don Arden with Mick Wall. Most of the more comprehensive compilations of the Move's material are out of print, but this single-CD-plus-DVD anthology is the best compilation that's in print. This is the one collection of Wood's solo and Wizzard hits that seems currently in print, and for those who want to investigate further, this cheap box set has the last Move album, the first ELO album, the first Wizzard album, Wood's solo Boulders , and a later Wood solo album, for the price of a single CD. Transcript Before I start, a brief note. This episode deals with organised crime, and so contains some mild descriptions of violence, and also has some mention of mental illness and drug use, though not much of any of those things. And it's probably also important to war
Bonus · Sun, December 18, 2022
Transcript This is just to let people know what's happening with the podcast over the next few weeks, as we head into a season which has holiday celebrations for many people, including me. The podcast has been keeping to a fortnightly schedule for the last few months, but at this time of year I have commitments to visit family and friends for Christmas and New Year, and I've learned that when I'm away from home I can't record and shouldn't even make the attempt. Also, a lot of people don't have time to listen to new podcasts over the Christmas period. So here's what's going to happen with the podcast between now and the beginning of the year. I'm recording a full podcast episode today, and that will be going up either Tuesday night or Wednesday morning, depending how long it takes to edit, so two weeks after the last episode, and then there will be a gap for Christmas and New Year. I will be doing Patreon bonuses during that time on a weekly basis as normal -- they take much less recording time than the main episodes, and I can prerecord them in advance -- but the next main episode of the podcast after this week's will go up on Monday the ninth of January, a little less than three weeks after the last one, rather than the normal two. However, to fill in the gap I'm going to put up a few old Patreon bonus episodes over Christmas week. Every year around this time my Patreon bonus episodes tend to be about something seasonal, and so I'll put up a few of the old ones on the main feed for those of you who haven't heard them. These are older bonus episodes, some from four years ago, and so not in the same style as my more recent work, and mostly around ten minutes or so in length, but they'll hopefully be of interest to anyone who is looking for something seasonal to listen to. Happy holidays to those who celebrate a winter holiday at this time of year, and my sympathies to those who don't or for whom it's a difficult time for whatever reason. I'll see you in a couple of days for the next proper episode.
Wed, December 07, 2022
Episode 159 of A History of Rock Music in Five Hundred Songs looks at “Itchycoo Park” by the Small Faces, and their transition from Mod to psychedelia. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-five-minute bonus episode available, on “The First Cut is the Deepest” by P.P. Arnold . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Wed, November 23, 2022
Episode one hundred and fifty-eight of A History of Rock Music in Five Hundred Songs looks at “White Rabbit”, Jefferson Airplane, and the rise of the San Francisco sound. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-three-minute bonus episode available, on “Omaha” by Moby Grape . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, November 08, 2022
Episode one hundred and fifty-seven of A History of Rock Music in Five Hundred Songs looks at “See Emily Play”, the birth of the UK underground, and the career of Roger Barrett, known as Syd. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-five-minute bonus episode available, on “First Girl I Loved” by the Incredible String Band . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, October 25, 2022
Episode one hundred and fifty-six of A History of Rock Music in Five Hundred Songs looks at “I Was Made to Love Her”, the early career of Stevie Wonder, and the Detroit riots of 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode available, on “Groovin'” by the Young Rascals . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Trailer · Fri, October 21, 2022
Transcript You'll have noticed that my experiment with timings has been only a qualified success. While my buffer did allow me to get episodes going out weekly for a while, they've started to lag again, as events and health have derailed things -- though I have managed to get a bonus episode up for Patreon backers every week. As the upcoming episode is the second one in a row to have a significant delay, I've decided that that's a sign the weekly rate for the main podcast is clearly unsustainable with these longer episodes, even with the skip weeks -- but it's also clear that I can do a main episode every two weeks without any problem, and can get a bonus episode done every week, and that that is very, very sustainable even in times of stress. I now know for sure what my productivity rate can be. So this is an official announcement that for the foreseeable future, this is a fortnightly podcast, with episodes going up every other Monday, but with backer bonuses every week. It may return to the weekly schedule at some point, but for now that's the plan. Episode 156, on Stevie Wonder, will be up on Monday, and then the episode after that, on Pink Floyd, will be on the seventh of November. See you then.
Tue, October 11, 2022
Episode one hundred and fifty-five of A History of Rock Music in Five Hundred Songs looks at “Waterloo Sunset” by the Kinks, and the self-inflicted damage the group did to their career between 1965 and 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a nineteen-minute bonus episode available, on "Excerpt From a Teenage Opera" by Keith West . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud this week, as there are too many Kinks songs. I’ve used several resources for this and future episodes on the Kinks, most notably Ray Davies: A Complicated Life by Johnny Rogan and You Really Got Me by Nick Hasted. X-Ray by Ray Davies is a remarkable autobiography with a framing story set in a dystopian science-fiction future, while Kink by Dave Davies is more revealing but less well-written. The Anthology 1964-1971 is a great box set that covers the Kinks’ Pye years, which overlap almost exactly with their period of greatest creativity. For those who don’t want a full box set, this two-CD set covers all the big hits. And this is the interview with Rasa I discuss in the episode. Patreon This podcast is brought to you by the generosity of my backers on Patreon . Why not join them? Transcript Before I start, this episode has some mentions of racism and homophobia, several discussions of physical violence, one mention of domestic violence, and some discussion of mental illness. I've tried to discuss these things with a reasonable amount of sensitivity, but there's a tabloid element to some of my sources which inevitably percolates through, so be warned if you find those things upsetting. One of the promises I made right at the start of this project was that I would not be doing the thing that almost all podcasts do of making huge chunks of the episodes be about myself -- if I've had to update people about something in my life that affects the podcast, I've done it in separate admin episodes, so the episodes themselves will not be taken up with stuff about me. The podcast is not about me. I am
Bonus · Thu, September 29, 2022
Transcript Hi. We're still on a skip week, the main podcast will be back next week, but as we've now reached a point in the podcast where more of the people discussed are living than dead, I'd just like to say something, and make a request. I've seen several people asking people mentioned in the podcast if they're listeners, on Twitter and other social media, and I would very much rather people stop doing that. Please don't tag any living subjects of my podcast episodes into tweets about those episodes. I can't stop you, of course, and I'm not meaning to shame anyone who has, as they've done it for the best of reasons, but it makes me extremely uncomfortable. I've had people take offence before at things I've written about their work which I didn't intend to be offensive. Creative people will often focus on a single negative aside in what is otherwise a wall of praise, and it can cause them real upset. I can't stop any subjects of podcast episodes from listening to them, but the podcast is not ultimately for them. The very best case scenario is that knowing those people are going to hear the podcast makes me uncomfortable and restricts what I say, making the podcast less good. The worst-case scenario is someone takes legal action because of something I've said, and the podcast has to end altogether. But mostly, I just know that if someone I've talked about is going to listen to my podcast, there's a good chance that they'll pick up on one casual remark I didn't even think about and ruminate about it all day. And I don't want to make people I admire have bad days. So please, do keep telling your friends about the podcast, but don't tell the stars I talk about. I know you all mean well when you do it, but it can cause far more harm than good.
Wed, September 21, 2022
Episode one hundred and fifty-four of A History of Rock Music in Five Hundred Songs is the last of our four-part mini-series on LA sunshine pop and folk-rock in summer 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on “Baby, Now That I’ve Found You” by the Foundations. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, September 13, 2022
Episode one hundred and fifty-three of A History of Rock Music in Five Hundred Songs looks at “Heroes and Villains” by the Beach Boys, and the collapse of the Smile album. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a sixteen-minute bonus episode available, on “I Had Too Much to Dream Last Night” by the Electric Prunes. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, August 30, 2022
Episode 152 of A History of Rock Music in Five Hundred Songs looks at “For What It’s Worth”, and the short but eventful career of Buffalo Springfield. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-five-minute bonus episode available, on “By the Time I Get to Phoenix” by Glen Campbell . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata: I say Moby Grape never recorded the song “On the Other Side”, but someone in the comments has pointed me to a demo of it which was released under the name “Stop”. I also say Buffalo Springfield were the third white act to sign to Atlantic, after Bobby Darin and Sonny and Cher. They were the fourth, as the list I saw didn’t include the Young Rascals (more…)
Mon, August 22, 2022
We start season four of A History of Rock Music in Five Hundred Songs with an extra-long look at “San Francisco” by Scott McKenzie, and at the Monterey Pop Festival, and the careers of the Mamas and the Papas and P.F. Sloan. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Up, Up, and Away” by the 5th Dimension. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata: An incorrect version of the file was previously uploaded, with the wrong section edited in at approximately 57 minutes. This was fixed about three hours after uploading, but some streaming services may have cached the wrong file. Also I say that John Phillips wrote “No, No, No, No”. I got this from an interview with McKenzie, but he must have been misremembering — the song is a cover version of “La Poupee Qui Fait Non” by Michel Polnareff, with English-language lyrics by Geoff Stephens (more…)
Trailer · Sun, August 14, 2022
Transcript This is the official announcement that episode one hundred and fifty-one will be up in precisely one week. I’ve just finished recording it, and am now in the process of recording episodes one hundred and fifty-two through one hundred and fifty-four while Tilt edits one hundred and fifty-one. For those of you who are Patreon backers, the Patreon-only Q&A is up now. This will be the start of season four, which is going to work slightly differently from previous seasons, because of the time off I gave myself. I now have a better idea of how much work I can do in parallel, and I’ve come to the conclusion that the most sustainable release pattern is going to be two weeks on, one week off, so you’ll be getting four episodes every six weeks. I will still release Patreon bonuses on the weeks I don’t release a mainline episode. The episodes are going to be written and recorded in batches of four, and the general plan is going to be that every batch of four will have a long episode — a ninety-minute or two-hour one — a short half-hour episode, and two other episodes which will probably be about an hour but can vary depending on time constraints. In this batch, episode 151 is going to be the long one, episode 154 the shortest, and the two in the middle will be middling length. So, join us back here in a week, for the ghost of James Dean, a prediction of the future, and the start of the summer of love.
Bonus · Sat, July 30, 2022
While I’m still on hiatus, I invited questions from listeners. This is an hour-long podcast answering some of them. (Another hour-long Q&A for Patreon backers only will go up next week). Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ There is a Mixcloud of the music excerpted here which can be found at https://www.mixcloud.com/AndrewHickey/500-songs-supplemental-qa-edition/ Click below for a transcript: (more…)
Sat, July 16, 2022
This episode is part of Pledge Week 2022. Every day this week, I’ll be posting old Patreon bonus episodes of the podcast which will have this short intro. These are short, ten- to twenty-minute bonus podcasts which get posted to Patreon for my paying backers every time I post a new main episode — there are well over a hundred of these in the archive now. If you like the sound of these episodes, then go to patreon.com/andrewhickey and subscribe for as little as a dollar a month or ten dollars a year to get access to all those bonus episodes, plus new ones as they appear. Click below for the transcript (more…)
Bonus · Fri, July 15, 2022
This episode is part of Pledge Week 2022. Every day this week, I'll be posting old Patreon bonus episodes of the podcast which will have this short intro. These are short, ten- to twenty-minute bonus podcasts which get posted to Patreon for my paying backers every time I post a new main episode -- there are well over a hundred of these in the archive now. If you like the sound of these episodes, then go to patreon.com/andrewhickey and subscribe for as little as a dollar a month or ten dollars a year to get access to all those bonus episodes, plus new ones as they appear. Click below for the transcript Transcript Today we're going to look at a record which I actually originally intended to do a full episode on, but by an artist about whom there simply isn't enough information out there to pull together a full episode -- though some of this information will show up in other contexts in future episodes. So we're going to have a Patreon bonus episode on one of the great soul-pop records of the mid 1960s -- "Rescue Me" by Fontella Bass: [Excerpt: Fontella Bass, "Rescue Me"] Fontella Bass was actually a second-generation singer. Her mother, Martha Bass, was a great gospel singer, who had been trained by Willie Mae Ford Smith, who was often considered the greatest female gospel singer of the twentieth century but who chose only to perform live and on the radio rather than make records. Martha Bass had sung for a short time with the Clara Ward Singers, one of the most important and influential of gospel groups: [Excerpt: The Clara Ward Singers, "Wasn't It A Pity How They Punished My Lord?"] Fontella had been trained by her mother, but she got her start in secular music rather than the gospel music her mother stuck to. She spent much of the early sixties working as a piano player and singer in the band of Little Milton, the blues singer. I don't know exactly which records of his she's on, but she was likely on his top twenty R&B hit "So Mean to Me": [Excerpt: Little Milton, "So Mean to Me"] One night, Little Milton didn't turn up for a show, and so Bass was asked to take the lead vocals until he arrived. Milton's bandleader Oliver Sain was impressed with her voice, and when he quit working with Milton the next year, he took Bass with him, starting up a new act, "The Oliver Sain Soul Revue featuring Fontella and Bobby McClure". She signed to Bobbin Records, where she cut "I Don't Hurt Any More", a cover of an old Hank Snow country song, in 1962: [Excerpt: Fontella Bass, "I Don't Hurt Any More"] After a couple of records with Bobbin, she signed up with Ike Turner, who by this point was running a couple of record labels. She released a single backed by the Ikettes, "My Good Loving": [Excerpt: Fontella Bass, "My Good Loving"] And a duet with Tina Turner, "Poor Little Fool": [Excerpt: Fontella Bass
Bonus · Thu, July 14, 2022
This episode is part of Pledge Week 2022. Every day this week, I’ll be posting old Patreon bonus episodes of the podcast which will have this short intro. These are short, ten- to twenty-minute bonus podcasts which get posted to Patreon for my paying backers every time I post a new main episode — there are well over a hundred of these in the archive now. If you like the sound of these episodes, then go to patreon.com/andrewhickey and subscribe for as little as a dollar a month or ten dollars a year to get access to all those bonus episodes, plus new ones as they appear. Click below for the transcript (more…)
Bonus · Wed, July 13, 2022
This episode is part of Pledge Week 2022. Every day this week, I’ll be posting old Patreon bonus episodes of the podcast which will have this short intro. These are short, ten- to twenty-minute bonus podcasts which get posted to Patreon for my paying backers every time I post a new main episode — there are well over a hundred of these in the archive now. If you like the sound of these episodes, then go to patreon.com/andrewhickey and subscribe for as little as a dollar a month or ten dollars a year to get access to all those bonus episodes, plus new ones as they appear. Click below for the transcript (more…)
Bonus · Tue, July 12, 2022
This episode is part of Pledge Week 2022. Every day this week, I’ll be posting old Patreon bonus episodes of the podcast which will have this short intro. These are short, ten- to twenty-minute bonus podcasts which get posted to Patreon for my paying backers every time I post a new main episode — there are well over a hundred of these in the archive now. If you like the sound of these episodes, then go to patreon.com/andrewhickey and subscribe for as little as a dollar a month or ten dollars a year to get access to all those bonus episodes, plus new ones as they appear. Click below for the transcript (more…)
Bonus · Mon, July 11, 2022
This episode is part of Pledge Week 2022. Every day this week, I’ll be posting old Patreon bonus episodes of the podcast which will have this short intro. These are short, ten- to twenty-minute bonus podcasts which get posted to Patreon for my paying backers every time I post a new main episode — there are well over a hundred of these in the archive now. If you like the sound of these episodes, then go to patreon.com/andrewhickey and subscribe for as little as a dollar a month or ten dollars a year to get access to all those bonus episodes, plus new ones as they appear. Click below for the transcript (more…)
Bonus · Sun, July 10, 2022
This episode is part of Pledge Week 2022. Every day this week, I’ll be posting old Patreon bonus episodes of the podcast which will have this short intro. These are short, ten- to twenty-minute bonus podcasts which get posted to Patreon for my paying backers every time I post a new main episode — there are well over a hundred of these in the archive now. If you like the sound of these episodes, then go to patreon.com/andrewhickey and subscribe for as little as a dollar a month or ten dollars a year to get access to all those bonus episodes, plus new ones as they appear. Click below for the transcript (more…)
Bonus · Sun, July 10, 2022
The Facebook community I talk about is at https://www.facebook.com/groups/293630102611672/ The post for asking Q&A questions is here The Patreon post for Q&A questions is here Transcript Hello and welcome to the start of 2022’s Pledge Week. For those of you who don’t know, this podcast is my full-time job, and I can only do it because of listener support, and the best way people can support me is to set up a regular donation through patreon.com, and to reward those supporters I do short bonus podcasts that only backers can access, as well as doing occasional other bonus things for them. Now, I have been very, very, lucky when it comes to people backing me. For the first couple of years of the podcast I had to take on additional work because this wasn’t paying enough, but now I have enough very generous backers that I can pay my mortgage, buy all the books and CDs I need for the research, pay Tilt for his time editing the podcast, and generally do the work without worrying about my finances the way I had to at first. This has been especially useful in the last year, when as you may have gathered everything *else* went wrong in my life — to have that basic financial security because of people’s generous donations has literally saved my life. I’m making that clear now because I don’t want anyone to give a single penny they can’t afford. If my Patreon donations continue at the same level they have been, I can continue making the podcast indefinitely without worrying, so don’t give me money you can’t afford. But, of course, the only way I can keep the donations at the same level is to remind people occasionally that the Patreon exists — otherwise, the levels will slowly go down, as people lose their jobs or retire and can’tafford that extra dollar a month, or the podcast gets past the era of music they’re interested in, or I say something that causes offence, or they just decide the podcast isn’t for them any more. So, every year or so, for a week I do a pledge week, where every day for a week I put up one of the old backer-only ten-minute or so podcasts, that Patreon backers have had access to for a year or so. There are well over a hundred of these now, and only a tiny selection of them get posted in these Pledge weeks, so if you want to hear the rest of them you have to subscribe for as little as one dollar a month — or ten dollars for a year. Again, I want to emphasise — as long as donation levels stay around where they are now, the main podcast will always remain free, and will have no ads or any of the other things people do to monetise their podcasts. Nobody is under any obligation to pay me a penny, and you should only give what you can afford after looking after yourself and your loved ones and any charitable donations or so on. There are many mo
Sun, June 26, 2022
This week’s episode looks at “All You Need is Love”, the Our World TV special, and the career of the Beatles from April 1966 through August 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a thirteen-minute bonus episode available, on “Rain” by the Beatles . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ NB for the first few hours this was up, there was a slight editing glitch. If you downloaded the old version and don’t want to redownload the whole thing, just look in the transcript for “Other than fixing John’s two flubbed” for the text of the two missing paragraphs. (more…)
Sun, May 22, 2022
Episode 149 of A History of Rock Music in Five Hundred Songs looks at “Respect”, and the journey of Aretha Franklin from teenage gospel singer to the Queen of Soul. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on “I’m Just a Mops” by the Mops . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Also, people may be interested in a Facebook discussion group for the podcast, run by a friend of mine (I’m not on FB myself) which can be found at https://www.facebook.com/groups/293630102611672/ (more…)
Sat, April 30, 2022
Episode one hundred and forty-eight of A History of Rock Music in Five Hundred Songs looks at “Light My Fire” by the Doors, the history of cool jazz, and Maharishi Mahesh Yogi. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “My Friend Jack” by the Smoke . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sat, April 16, 2022
Episode one hundred and forty-seven of A History of Rock Music in Five Hundred Songs looks at “Hey Joe” by the Jimi Hendrix Experience, and is the longest episode to date, at over two hours. Patreon backers also have a twenty-two-minute bonus episode available, on “Making Time” by The Creation . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Fri, March 25, 2022
Episode one hundred and forty-six of A History of Rock Music in Five Hundred Songs looks at “Good Vibrations” by the Beach Boys, and the history of the theremin. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “You’re Gonna Miss Me” by the Thirteenth Floor Elevators . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sat, March 05, 2022
This week’s episode looks at “Tomorrow Never Knows”, the making of Revolver by the Beatles, and the influence of Timothy Leary on the burgeoning psychedelic movement. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on “Keep on Running” by the Spencer Davis Group. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, February 15, 2022
Episode 144 of A History of Rock Music in Five Hundred Songs looks at “Last Train to Clarksville” and the beginnings of the career of the Monkees, along with a short primer on the origins of the Vietnam War. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a seventeen-minute bonus episode available, on “These Boots Are Made For Walking” by Nancy Sinatra, which I mispronounce at the end of this episode as “These Boots Were Made For Walking”, so no need to correct me here. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, February 07, 2022
Episode 143 of A History of Rock Music in Five Hundred Songs looks at “Summer in the City’”, and at the short but productive career of the Lovin’ Spoonful. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “The Sun Ain’t Gonna Shine Any More” by the Walker Brothers and the strange career of Scott Walker. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, January 31, 2022
Episode one hundred and forty-two of A History of Rock Music in Five Hundred Songs looks at “God Only Knows” by the Beach Boys, and the creation of the Pet Sounds album. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Sunny” by Bobby Hebb . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sun, January 16, 2022
Episode 141 of A History of Rock Music in Five Hundred Songs looks at “River Deep Mountain High’”, and at the career of Ike and Tina Turner. Click the full post to read liner notes, links to more information, and a transcript of the episode. Also, this episode was recorded before the sad death of the great Ronnie Spector, whose records are featured a couple of times in this episode, which is partly about her abusive ex-husband. Her life paralleled Tina Turner’s quite closely, and if you haven’t heard the episode I did about her last year, you can find it at https://500songs.com/podcast/episode-110-be-my-baby-by-the-ronettes/ . I wish I’d had the opportunity to fit a tribute into this episode too. Patreon backers also have a ten-minute bonus episode available, on “Wild Thing” by the Troggs . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sat, December 25, 2021
Episode one hundred and forty of A History of Rock Music in Five Hundred Songs looks at “Trouble Every Day” by the Mothers of Invention, and the early career of Frank Zappa. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Christmas Time is Here Again” by the Beatles . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Wed, December 22, 2021
Episode one hundred and thirty-nine of A History of Rock Music in Five Hundred Songs looks at “Eight Miles High” by the Byrds, and the influence of jazz and Indian music on psychedelic rock. This is a long one… Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Winchester Cathedral” by the New Vaudeville Band . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Bonus · Sun, December 12, 2021
Hi, This is not a proper episode of the podcast. Rather, this is an explanation, at least in part, of why there have been fewer episodes than normal this year, and what I plan to do about that. One of the things I promised myself when I started this podcast was that I would not do the thing that many podcasters do of waffling on for fifteen minutes at the beginning about their lives, in an attempt to build up a parasocial relationship with the listeners. I pride myself on the work I do, and part of that is making the podcast about the work, rather than about me. I do enjoy the friendships I have made through this podcast, but I don't want the podcast to be about anything other than the history and the music. But that does mean that you haven't all had an explanation why, after two years of me getting the podcast out weekly on the dot, the podcast has averaged an episode every ten days or so this year, including some gaps of two weeks. A small part of that is that the episodes have been getting longer. It takes more time to write, record, and edit a ninety-minute episode than a half-hour one, and while I keep promising I'll try to get the episodes back to the shorter length I prefer, there's just a lot of material to cover in some of these. But a much larger part is that this last year has been the worst year of my life, without exception. There have been a whole series of stressful events, most of which I'm not at liberty to talk about because they involve other people, but the year started with one of those awful life-changing events that only happen once or twice in your life, and astonishingly managed to throw a couple of other curveballs almost that bad. And that's on top of the stuff that everyone has been having to deal with, with the political situation in the world and with covid. But there's also my health, and I can talk about that because it only affects me. I have multiple chronic illnesses and disabilities, which among other things meant that I had to spend the first five months of this year totally isolated, not seeing another human being, until I could get fully vaccinated. And it turns out that being totally isolated from the world for months, while multiple catastrophes happen in your life and the lives of those around you, is not great for chronic illnesses. I have had a number of flare-ups this year, and to give you some idea, yesterday my blood pressure read as 196/120. Getting all five hundred episodes of this podcast done is my highest priority, but in order to do that I have to live to see episode five hundred. And sadly, making sure I live to see episode five hundred means not working on days when any kind of extra stress could give me a stroke. Which has been the case on several days this year. I am working out some new things with my doctor, which I hope and believe will make my chronic illnesses more like they were in 2018 through 2020 -
Bonus · Tue, December 07, 2021
This is just to let everyone know that the second volume of the book based on the podcast should be available by the time you get this episode in your podcast app. It's been a long, long, time coming, because the last year and a bit has been far more difficult, for far more reasons, than I can go into here, but the book is now done. It's called "From the Million Dollar Quartet to the Fab Four", and contains versions of the scripts for episodes fifty-one through one hundred, revised for the book format rather than audio, along with a rewritten version of the Patreon episode on the Big Bopper, an introduction summarising the first book, and a bibliography. The ebook should be available from every major ebook store, though it might take time to filter through to all of them. I'll be including a link in the blog post for this episode which, if you click it, will take you to your preferred ebook store if the book's available there. The paperback is currently only available from Amazon. It should eventually also be available from other retailers, as it will enter all the standard distribution catalogues, but it's self-published through Amazon's service, so those of you who boycott Amazon, completely understandably, might not want to buy that version. The ebook link will also take you to the Amazon page for the paperback. The hardback is available from lulu.com. That too will eventually also be available from other online bookstores, but I make more money, and you get it quicker, if you buy it from Lulu rather than a third party. Again, I'll link that in the notes here. The physical books are relatively expensive -- twenty-five dollars for the paperback, and fifty dollars for the hardback -- but they're *big* books -- six hundred and fifty-three pages counting the indexes -- and paper is expensive right now because of supply chain issues, so I hope you'll consider them good value for money, as they're literally priced as low as I can make them. If money's tight, the ebook is only $5. And speaking of good value for money, for one week only I've reduced the cost of the ebook of the first book to just one dollar. That's a limited-time offer to promote the series, so if you've not got that and want it, now's your chance. Patreon backers at the five-dollar-a-month level and higher have already received copies of the ebook. Those at higher levels will be receiving their copies of the physical books shortly -- they'll be being sent out in waves over the next few weeks. It's because of those backers that I am able to do this podcast at all, and I can't thank them enough for their generosity.See you all in a couple of days, when we'll be looking at the Byrds, and "Eight Miles High". Links to buy the book: Ebooks (and paperback through Amazon) <a href="https://www.lulu.com/en/gb/shop/andrew-hickey/a-history-of-rock-music-in-500-songs-vol-2-from
Wed, December 01, 2021
Episode one hundred and thirty-eight of A History of Rock Music in Five Hundred Songs looks at “I Fought the Law”, and at the mysterious death of Bobby Fuller. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on “Hanky Panky” by Tommy James and the Shondells . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com (more…)
Mon, November 15, 2021
Episode one hundred and thirty-seven of A History of Rock Music in Five Hundred Songs looks at “Papa’s Got a Brand New Bag” by James Brown, and at how Brown went from a minor doo-wop artist to the pioneer of funk. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “I’m a Fool” by Dino, Desi, and Billy . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Wed, November 03, 2021
Episode one hundred and thirty-six of A History of Rock Music in Five Hundred Songs is a special long episode, running almost ninety minutes, looking at “My Generation” by the Who. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on “The Name Game” by Shirley Ellis . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Thu, October 21, 2021
Episode one hundred and thirty-five of A History of Rock Music in Five Hundred Songs looks at “The Sound of Silence” by Simon and Garfunkel, and the many records they made, together and apart, before their success. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Blues Run the Game” by Jackson C. Frank . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Wed, October 13, 2021
Episode 134 of A History of Rock Music in Five Hundred Songs looks at “In the Midnight Hour”, the links between Stax, Atlantic, and Detroit, and the career of Wilson Pickett. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on “Mercy Mercy” by Don Covay . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Fri, September 24, 2021
Episode one hundred and thirty-three of A History of Rock Music in Five Hundred Songs looks at “My Girl” by the Temptations, and is part three of a three-episode look at Motown in 1965. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Yeh Yeh” by Georgie Fame and the Blue Flames. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Wed, September 08, 2021
Episode one hundred and thirty-two of A History of Rock Music in Five Hundred Songs looks at “I Can’t Help Myself” by the Four Tops, and is part two of a three-episode look at Motown in 1965. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Colours” by Donovan. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Wed, August 25, 2021
Episode one hundred and thirty-one of A History of Rock Music in Five Hundred Songs looks at “I Hear a Symphony” by the Supremes, and is the start of a three-episode look at Motown in 1965. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Rescue Me” by Fontella Bass . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sat, August 14, 2021
Episode one hundred and thirty of A History of Rock Music in Five Hundred Songs looks at “Like a Rolling Stone" by Bob Dylan, and the controversy over Dylan going electric, Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Hold What You've Got" by Joe Tex . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum A couple of times I refer to “CBS”. Dylan's label in the US was Columbia Records, a subsidiary of CBS Inc, but in the rest of the world the label traded as “CBS Records”. I should probably have used “Columbia” throughout... Resources No Mixcloud this week, as there are too many songs by Dylan. Much of the information in this episode comes from Dylan Goes Electric!: Newport, Seeger, Dylan, and the Night That Split the Sixties by Elijah Wald , which is recommended, as all Wald's books are. I’ve used these books for all the episodes involving Dylan: Bob Dylan: All The Songs by Phillipe Margotin and Jean-Michel Guesdon is a song-by-song look at every song Dylan ever wrote, as is Revolution in the Air, by Clinton Heylin. Heylin also wrote the most comprehensive and accurate biography of Dylan, Behind the Shades . I’ve also used Robert Shelton’s No Direction Home , which is less accurate, but which is written by someone who knew Dylan. The New Yorker article by Nat Hentoff I talk about is here . And for the information about the writing of "Like a Rolling Stone", I relied on yet another book by Heylin, All the Madmen . Dylan's albums up to 1967 can all be found in their original mono mixes on this box set . And Dylan's performances at Newport from 1963 through 1965 are on this DVD . Patreon This podcast is brought to you by the generosity of my backers on Patreon . Why not join them? Transcript There's a story that everyone tells about Bob Dylan in 1965, the story that has entered into legend. It's the story that you'll see in most of the biographies of him, and in all those coffee-table
Fri, July 30, 2021
Episode 129 of A History of Rock Music in Five Hundred Songs looks at “(I Can't Get No) Satisfaction” by the Rolling Stones, and how they went from being a moderately successful beat group to being the only serious rivals to the Beatles. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have an eleven-minute bonus episode available, on "I'll Never Find Another You" by the Seekers . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources As usual I’ve created a Mixcloud streaming playlist with full versions of all the songs in the episode. i used a lot of resources for this episode. Two resources that I’ve used for this and all future Stones episodes — The Rolling Stones: All The Songs by Phillipe Margotin and Jean-Michel Guesden is an invaluable reference book, while Old Gods Almost Dead by Stephen Davis is the least inaccurate biography. When in doubt, the version of the narrative I've chosen to use is the one from Davis' book. I’ve also used Andrew Loog Oldham’s autobiography Stoned , and Keith Richards’ Life , though be warned that both casually use slurs. Sympathy for the Devil: The Birth of the Rolling Stones and the Death of Brian Jones by Paul Trynka is, as the title might suggest, essentially special pleading for Jones. It's as well-researched and well-written as a pro-Jones book can be, and is worth reading for balance, though I find it unconvincing. This web page seems to have the most accurate details of the precise dates of sessions and gigs. And this three-CD set contains the A and B sides of all the Stones’ singles up to 1971, including every Stones track I excerpt in this episode. Patreon This podcast is brought to you by the generosity of my backers on Patreon . Why not join them? Transcript Today, we're going to look at one of the most important riffs in rock and roll history -- the record that turned the distorted guitar riff into the defining feature of the genre, even th
Thu, July 22, 2021
Episode one hundred and twenty-eight of A History of Rock Music in Five Hundred Songs looks at “Mr. Tambourine Man” by the Byrds, and the start of LA folk-rock. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “I Got You Babe” by Sonny and Cher. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, July 13, 2021
This week’s episode looks at "Ticket to Ride", the making of the Beatles' second film, and the influence of Bob Dylan on the Beatles' work and lives. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, o n "The Game of Love" by Wayne Fontana and the Mindbenders . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud this week, as there are too many songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them, but the ones I specifically referred to while writing this episode were: The Complete Beatles Chronicle by Mark Lewisohn , All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon , And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley , The Beatles By Ear by Kevin Moore , Revolution in the Head by Ian MacDonald , and The Beatles Anthology . For material on the making of the film, I referred to Getting Away With It by Steven Soderbergh , a book which is in part a lengthy set of conversations between Soderbergh and Richard Lester. Sadly the only way to legally get the original mix of "Ticket to Ride" is this ludicrously-expensive out-of-print box set, but the 1987 remix is widely available on the CD issue of the Help! soundtrack . The film is available on DVD . Patreon This podcast is brought to you by the generosity of my backers on Patreon . Why not join them? Transcript When we last looked at the Beatles, they had just achieved their American success, and had appeared in their first film, A Hard Day's Night. Today, we're going to look at the massive artistic growth that happened to them between late 1964 and mid 1965, the making of their second film, Help!, the influence, both artistic and personal, of Bob Dylan on the group, and their introduction both to studio experimentation and to cannabis. We're going to look at "Ticket t
Thu, July 01, 2021
Episode 126 of A History of Rock Music in Five Hundred Songs looks at “For Your Love”, the Yardbirds, and the beginnings of heavy rock and the guitar hero. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode available, on “A Lover’s Concerto” by the Toys. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Bonus · Mon, June 21, 2021
This is a bonus episode, part of Pledge Week 2021. Patreon backers get one of these with every episode of the main podcast. If you want to get those, and to support the podcast, please visit patreon.com/andrewhickey to sign up for a dollar a month or more. Click below for the transcript. (more…)
Bonus · Sun, June 20, 2021
This is a bonus episode, part of Pledge Week 2021. Patreon backers get one of these with every episode of the main podcast. If you want to get those, and to support the podcast, please visit patreon.com/andrewhickey to sign up for a dollar a month or more. Click below for the transcript. (more…)
Bonus · Sat, June 19, 2021
This is a bonus episode, part of Pledge Week 2021. Patreon backers get one of these with every episode of the main podcast. If you want to get those, and to support the podcast, please visit patreon.com/andrewhickey to sign up for a dollar a month or more. Click below for the transcript. Today, we're going to look at a record that, like the record we looked at in the main podcast this week, has connections to Kim Fowley and to the Beach Boys, who covered it just as they did "Moon Dawg". But we're going to look at it as a way to say goodbye to Gaynel Hodge, who has appeared in so many of our previous episodes. Hodge played piano on "Alley Oop", which we've done a bonus podcast on before, and which is also very briefly discussed in this week's main episode, and while I was writing that, I heard from a Twitter follower that he had died. We've already covered all the records we're going to look at in which he had a major involvement, so today we're going to look at another one on which he was just a session musician. This one is actually from 1962, when we're still in 1960 in the main podcast, but it's not jumping so far ahead that it's unreasonable, and I wanted to tip my hat to him with the last record he played on which I was planning on discussing -- if you remember the Patreon episode on "Little Bitty Pretty One", I said we'd be looking at Thurston Harris' backing group when we got to 1962. So today, let's look at "Papa Oom Mow Mow" by the Rivingtons: [Excerpt: The Rivingtons, "Papa Oom Mow Mow"] The history of the Rivingtons is a convoluted one, as the story of so many vocal groups is. They started out as a group called the Lamplighters, who were formed by Willie Ray Rockwell, who had been an original member of the Hollywood Flames. The first lineup of the Lamplighters also included Leon Hughes, who left before they started recording, to *join* the Hollywood Flames (Hughes of course later went on to join the Coasters). Hughes was replaced by Thurston Harris, and they made their first recordings for Federal records, with Ralph Bass and Johnny Otis. "Be-Bop Wino", their second single and the most impressive of these early recordings, was by a lineup of Rockwell, Harris, Al Frazier, and Matt Nelson: [Excerpt: The Lamplighters, "Be Bop Wino"] They also recorded backing Jimmie Witherspoon: [Excerpt: Jimmie Witherspoon and the Lamplighters, "Sad Life"] Various changes happened in the lineup, as people fell out with each other, got jailed for non-payment of child support, or just generally became too difficult to work with. For a while, the group became made up of Al Frazier, Carl White, Sonny Harris, and Matthew Nelson, and were recording, still for Federal, as the Tenderfoots: [Excerpt: The Tenderfoots, "Kissing Bug"] After four unsuccessful singles, Thurston Harris rejoined the group, and they became the Lamplighters again, recording a few more singles, starting with "Don
Bonus · Fri, June 18, 2021
This is a bonus episode, part of Pledge Week 2021. Patreon backers get one of these with every episode of the main podcast. If you want to get those, and to support the podcast, please visit patreon.com/andrewhickey to sign up for a dollar a month or more. Click below for the transcript. (more…)
Fri, June 18, 2021
Episode 125 of A History of Rock Music in Five Hundred Songs looks at “Here Comes the Night", Them, the early career of Van Morrison, and the continuing success of Bert Berns. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode available, on "Dirty Water" by the Standells . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources As usual, I’ve created a Mixcloud playlist , with full versions of all the songs excerpted in this episode. The information about Bert Berns comes from Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues by Joel Selvin. I've used two biographies of Van Morrison. Van Morrison: Into the Music by Ritchie Yorke is so sycophantic towards Morrison that the word "hagiography" would be, if anything, an understatement. Van Morrison: No Surrender by Johnny Rogan , on the other hand, is the kind of book that talks in the introduction about how the author has had to avoid discussing certain topics because of legal threats from the subject. I also used information from the liner notes to The Complete Them 1964-1967 , which as the title suggests is a collection of all the recordings the group made while Van Morrison was in the band. Patreon This podcast is brought to you by the generosity of my backers on Patreon . Why not join them? Transcript Today we're going to take a look at a band whose lead singer, sadly, is more controversial now than he was at the period we're looking at. I would normally not want to explicitly talk about current events upfront at the start of an episode, but Van Morrison has been in the headlines in the last few weeks for promoting dangerous conspiracy theories about covid, and has also been accused of perpetuating antisemitic stereotypes with a recent single. So I would like to take this opportunity just to say that no positive comments I make about the Van Morrison of 1965 in this episode should be taken as any kind of approval of the Van Morrison of 2021 -- and this should also be taken as read for one of the similarly-controversial subjects of next week's episode... Any
Bonus · Thu, June 17, 2021
This is a bonus episode, part of Pledge Week 2021. Patreon backers get one of these with every episode of the main podcast. If you want to get those, and to support the podcast, please visit patreon.com/andrewhickey to sign up for a dollar a month or more. Click below for the transcript. (more…)
Bonus · Wed, June 16, 2021
This is a bonus episode, part of Pledge Week 2021. Patreon backers get one of these with every episode of the main podcast. If you want to get those, and to support the podcast, please visit patreon.com/andrewhickey to sign up for a dollar a month or more. Click below for the transcript. (more…)
Bonus · Tue, June 15, 2021
This is a bonus episode, part of Pledge Week 2021. Patreon backers get one of these with every episode of the main podcast. If you want to get those, and to support the podcast, please visit patreon.com/andrewhickey to sign up for a dollar a month or more. Click below for the transcript. In this week's main episode, we're taking our first trip to Jamaica, and having our first look at ska music. But of course, ska wasn't the only music to come out of the Caribbean, and calypso music had already had a great impact on the wider music world. Today we're going to look at a major R&B hit from 1963 that had its roots in a calypso song from decades earlier. We're going to look at the career of the great Trinidadian Calypsonian Roaring Lion, and the tragic story of Jimmy Soul, and "If You Wanna Be Happy": [Excerpt: Jimmy Soul, "If You Wanna Be Happy"] Jimmy Soul started his career as a gospel singer, but was signed to SPQR Records with a specific mandate -- sometimes Frank Guida, the producer for Gary "US" Bonds' hits, would come up with something that Bonds didn't want to record. When that happened, Soul got to sing them instead. This meant that Soul would often get saddled with novelty songs, like his first hit, "Twistin' Matilda", which managed to make number twenty-two in the charts: [Excerpt: Jimmy Soul, "Twistin' Matilda"] That was originally a Calypso song from the 1930s, and had been a hit for Harry Belafonte a few years earlier, in a non-Twist version. Soul recorded a follow-up, “When Matilda Comes Back”, but that had no success: [Excerpt: Jimmy Soul, “When Matilda Comes Back”] So they tried to repeat the formula, with was another 1930s calypso song that Bonds had rejected, this time a remake of a song from 1933, originally written and performed by the great Calypsonian Roaring Lion. Roaring Lion was one of the most important Calypsonians of the pre-war era, and wrote many classics of the genre, including his paeans to other singers like "The Four Mills Brothers": [Excerpt: Roaring Lion, "The Four Mills Brothers"] and "Bing Crosby": [Excerpt: Roaring Lion, "Bing Crosby"] Those of you who know Van Dyke Parks' album of calypso covers, Discover America, will probably recognise both those songs. "Ugly Woman" was another song by Roaring Lion, and it advised men to marry ugly women rather than beautiful ones, because an ugly woman was more likely to stay with her husband: [Excerpt: Roaring Lion, "Ugly Woman"] History does not relate what Mrs. Lion thought of that advice. Jimmy Soul's version, retitled "If You Wanna Be Happy", credited three writers along with Roaring Lion -- Frank Guida, Carmella Guida, and Joseph Royster -- though the song has very little difference from the original: [Excerpt: Jimmy Soul, "If You Wanna Be Happy"] The main difference between Soul's rec
Bonus · Tue, June 15, 2021
Transcript About a year ago I did a pledge week, to encourage people to back me on Patreon. This seemed relatively successful, so I'm going to do it again. For those who don't know, the podcast is supported by listeners pledging money on the crowdfunding site Patreon. Listeners can give $1 a month or more, and I use that to fund the project. They also get various other bonus things, like the ability to send me private messages, free copies of my books for those on higher tiers, and so on. Some of those bonuses haven't been that frequent in the last few months, as between the pandemic, various things in my personal life and health, and the disruption caused by a false DMCA claim, this has been the single most difficult six months of my life to date, as you can probably tell from the disrupted schedule recently, though I'm now trying to get back on track with everything. But one bonus they always get, and have for two years, is a ten-minute or so extra podcast along with every regular episode. Anyone backing the Patreon at a dollar a month or more gets access to those as they come out, plus to the ninety or so old ones I've already done. So this week, like last year, I'm going to give everyone a taste of what the backers get -- every day for a week I'm going to upload an old Patreon bonus episode, in the hope that some of you like what you hear enough to sign up for the Patreon. However, I want to make something very clear -- I only want you to sign up *if you can afford to*. New signups mean I can afford to do this podcast without having to add advertising and so on, but I know that a lot of people are having financial problems right now. If you have enough money after looking after yourself and your family, and after any charitable giving and so on to actual important causes, that you feel able to throw a dollar a month to someone talking about music, great. If you don't, then please don't feel obliged, and the podcast will continue to be free. The next proper episode of the podcast, on "Here Comes the Night" by Them, will be up in a day or two -- I'm recording it right after I upload this and the first of the Pledge Week episodes, which will be on "If You Wanna Be Happy" by Jimmy Soul, and it'll be up as soon as it's edited. In the meantime, enjoy the free bonuses.
Tue, June 08, 2021
Episode 124 of A History of Rock Music in Five Hundred Songs looks at “People Get Ready”, the Impressions, and the early career of Curtis Mayfield. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode available, on “I’m Henry VIII I Am” by Herman’s Hermits . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, May 25, 2021
Episode 123 of A History of Rock Music in Five Hundred Songs looks at “You've Lost That Lovin' Feelin'", the Righteous Brothers, Shindig! and "blue-eyed soul". Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Wooly Bully" by Sam the Sham and the Pharaohs . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum I say the music in the bridge drops down to “just the bass”. Obviously there is also a celeste on that section. Resources No Mixcloud this week due to the number of Righteous Brothers songs. A lot of resources were used for this episode. Time of My Life: A Righteous Brother's Memoir i s Bill Medley's autobiography. Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era by Ken Emerson is a good overview of the Brill Building scene, and I used it for bits about how Mann and Weil wrote their songs. I’ve referred to two biographies of Spector in this episode, Phil Spector: Out of His Head by Richard Williams and He’s a Rebel by Mark Ribkowsky . This two-CD set contains all of the Righteous Brothers recordings excerpted here, all their hits, and a selection of Medley and Hatfield's solo work. It would be an absolutely definitive set, except for the Spector-era tracks being in stereo. There are many compilations available with some of the hits Spector produced, but I recommend getting Back to Mono , a four-CD overview of his career containing all the major singles put out by Philles. Patreon This podcast is brought to you by the generosity of my backers on Patreon . Why not join them? Transcript Today we're going to look at a record that according to BMI is the most-played song of the twentieth century on American radio, and continued to be the most played song for the first two decades of the twenty-first as well, a record that was arguably the artistic highpoint of Phil Spector's career, and certainly the commercial highpoint for everyone involved. We're going to look at "You've Lost That Lovin' Feelin'" by the Righteous Brothers: [Excerpt: The Righteous Brothers, "You've Lost That
Tue, May 18, 2021
Episode 122 of A History of Rock Music in Five Hundred Songs is a double-length (over an hour) look at “A Change is Gonna Come” by Sam Cooke, at Cooke's political and artistic growth, and at the circumstances around his death. This one has a long list of content warnings at the beginning of the episode, for good reason... Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "My Guy" by Mary Wells . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. For this episode, he also did the re-edit of the closing theme. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud this week due to the number of songs by one artist. My main source for this episode is Dream Boogie: The Triumph of Sam Cooke by Peter Guralnick. Like all Guralnick’s work, it’s an essential book if you’re even slightly interested in the subject. Information on Allen Klein comes from Fred Goodman's book on Klein . The Netflix documentary I mention can be found here . This is the best compilation of Sam Cooke’s music for the beginner, and the only one to contain recordings from all four labels (Specialty, Keen, RCA, and Tracey) he recorded for. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start this episode, a brief acknowledgement -- Lloyd Price plays a minor role in this story, and I heard as I was in the middle of writing it that he had died on May the third, aged eighty-eight. Price was one of the great pioneers of rock and roll -- I first looked at him more than a hundred episodes ago, back in episode twelve -- and he continued performing live right up until the start of the coronavirus outbreak in March last year. He'll be missed. Today we're going to look at one of the great soul protest records of all time, a record that was the high point in the career of its singer and songwriter, and which became a great anthem of the Civil Rights movement. But we're also going to look at the dark side of its creator, and the events that led to his untimely death. More than most episodes of the podcast, this requires a content warning. Indeed, it requires more than just content warnings. Those warnings are necessary -- this episode
Thu, May 06, 2021
Episode one hundred and twenty-one of A History of Rock Music in Five Hundred Songs looks at “The Leader of the Pack", the rise and fall of Red Bird Records, and the end of the death disc trend. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "California Sun" by the Rivieras . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources As usual, I’ve created a Mixcloud streaming playlist with full versions of all the songs in the episode. I used a different Shangri-Las compilation for this episode, but Myrmidons of Melodrama is generally considered the best collection of their work, and while it's been out of print for a while it's coincidentally getting reissued tomorrow. Two of my major sources for this episode were actually the liner notes for two CDs I used -- Sophisticated Boom-Boom: The Shadow Morton Story contains a good selection of Morton's work (though oddly not "Leader of the Pack", his single most famous record), while The Red Bird Story is an excellent three-CD set of the best work put out on the label and its subsidiaries. Hound Dog: The Leiber and Stoller Autobiography by Jerry Leiber, Mike Stoller, and David Ritz tells Leiber and Stoller’s side of the story well, while I cross-checked their telling of the story of the meeting that ended Red Bird with The Last Sultan: The Life and Times of Ahmet Ertegun by Robert Greenfield. And most of the biographical information about the group came from this thesis . Patreon This podcast is brought to you by the generosity of my backers on Patreon . Why not join them? Transcript Today we're going to look at one of the great death discs of all time -- a record that was the epitome of the genre, and one that rendered it more or less defunct, because nothing was ever going to top that record. We're also going to look at the career of a group that are often called the quintessential girl group, but who despised the term, and at
Tue, April 27, 2021
This week's episode, the first on the new host, looks at "A Hard Day's Night", and the making of the film that would define music cinema for decades to come. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Tobacco Road" by the Nashville Teens. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources As usual, I have created a Mixcloud playlist containing every song heard in this episode (though not the Goon Show, Bridge Over the River Wye, or A Show Called Fred recordings, all of which would take up half an hour each) I have read literally dozens of books on the Beatles, and used bits of information from many of them, but the ones I specifically referred to while writing this episode were: The Complete Beatles Chronicle by Mark Lewisohn , All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon , And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley , The Beatles By Ear by Kevin Moore , Revolution in the Head by Ian MacDonald , and The Beatles Anthology . For material on the making of the film, I referred to A Hard Day's Night by Ray Morton, and Getting Away With It by Steven Soderbergh , a book which is in part a lengthy set of conversations between Soderbergh and Richard Lester. Information on the Goons came from various sources, but mostly from The Goon Show Companion by Roger Wilmut and Jimmy Grafton. A Hard Day's Night is available on DVD , while the music is of course on this album . Patreon This podcast is brought to you by the generosity of my backers on Patreon . Why not join them? Transcript Today, we're going to look at a song that has one of the most striking opening chords of any song ever recorded, the title song to a film that was descr
Bonus · Wed, April 14, 2021
A quick admin note about why the podcast has changed hosts. Click through for the transcript. Transcript This is a brief admin podcast to explain why a new episode of the podcast won't be up for a few days, why the podcast wasn't available for a couple of days, and also why some of you might have seen all the old episodes turn up again in your podcast app. On Monday, i woke up to find that the Recording Industry Association of America had made a DMCA complaint against episode 112, the episode on "She Loves You", claiming that it violated copyright law. Now, of course, the podcast does not violate copyright law -- everything I do is within fair use rules for the US and fair dealing rules for the EU and UK -- but the DMCA is a stupid law that says that as soon as a complaint is received the host company has to take down a file until a counterclaim is made. I'd expected this kind of thing to happen sooner or later -- while I stay clearly within the bounds of copyright law, the RIAA is known for sending bogus takedown notices, and I have always been willing to reedit episodes as soon as a complaint was made, just to avoid hassle. It's something I factored into my plans, as a tiny podcaster doing a music history podcast. So it would have been fair if podbean had taken down that single episode -- and I did an edited version removing all the music clips, so it could be restored. But instead of taking down that one episode, they took down the entire podcast, and refused to put it back online even though I'd reedited the one episode complained about. They also refused to answer my emails, kept replying to my tweets on the subject and deleting the replies when other people pointed out the absurdity of what they were saying, and eventually became actively abusive. It took two days of social media pressure for them to reverse their decision and put the podcast back, but obviously I can't keep using them. So I have migrated the podcast to wordpress.com . The feed has already migrated here, and over the next few days I'll be sorting out the website and getting the domain redirected. Wordpress, unlike most hosting companies, takes freedom of speech seriously, and rejects invalid DMCA claims -- and when it does receive a valid one it only takes down the infringing file, not the entire site. Dealing with Podbean's incompetence and buffoonery has taken two full days -- the days I had planned to spend recording and editing the next podcast episode -- and I am going to have to spend more time getting the new website into shape, because images and formatting from old posts have been lost in the import. I also have a family commitment this weekend, so I won't be able to get the new episode recorded until Sunday night -- hopefully it will be up on Monday or Tuesday, and then I'll be back to a regular posting schedule, all else being well. Anyway, everything is pretty much sorted now, but I would advi
Mon, April 05, 2021
Episode one hundred and nineteen of A History of Rock Music in Five Hundred Songs looks at “You Really Got Me” by the Kinks, and the song that first took distorted guitar to number one. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “G.T.O.” by Ronny and the Daytonas . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sun, March 28, 2021
Episode 118 of A History of Rock Music in Five Hundred Songs looks at “Do-Wah-Diddy-Diddy” by Manfred Mann, and how a jazz group with a blues singer had one of the biggest bubblegum pop hits of the sixties. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a thirteen-minute bonus episode available, on “ Walk on By” by Dionne Warwick. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sat, March 20, 2021
Episode one hundred and seventeen of A History of Rock Music in Five Hundred Songs looks at “Don’t Worry Baby” by the Beach Boys, and how the years 1963 and 1964 saw a radical evolution in the sound and subject matter of the Beach Boys’ work. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “ You’re No Good” by the Swinging Blue Jeans. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Wed, March 10, 2021
Episode one hundred and sixteen of A History of Rock Music in Five Hundred Songs looks at “Where Did Our Love Go?” by the Supremes, and how the “no-hit Supremes” became the biggest girl group in history. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “She’s Not There” by the Zombies . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sat, February 27, 2021
Episode one hundred and fifteen of A History of Rock Music in Five Hundred Songs looks at “House of the Rising Sun” by the Animals, at the way the US and UK music scenes were influencing each other in 1964, and at the fraught question of attribution when reworking older songs. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Memphis” by Johnny Rivers . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Thu, February 18, 2021
This week’s episode looks at “My Boy Lollipop” and the origins of ska music. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “If You Wanna Be Happy” by Jimmy Soul . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, February 08, 2021
This week’s episode looks at “Needles and Pins”, and the story of the second-greatest band to come out of Liverpool in the sixties, The Searchers. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a sixteen-minute bonus episode available, on “Farmer John” by Don and Dewey . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sat, January 30, 2021
This week’s episode looks at “She Loves You”, the Beatles in 1963, and the start of Beatlemania in the UK. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Glad All Over” by the Dave Clark Five. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Wed, January 20, 2021
Episode one hundred and eleven of A History of Rock Music in Five Hundred Songs looks at “Heat Wave” by Martha and the Vandellas, and the beginnings of Holland-Dozier-Holland. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “My Boyfriend’s Back” by the Angels . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sat, January 09, 2021
Episode 110 of A History of Rock Music in Five Hundred Songs looks at “Be My Baby”, and at the career of the Ronettes and Ronnie Spector. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Little Saint Nick” by the Beach Boys. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Bonus · Sun, January 03, 2021
I just heard the sad news that Gerry Marsden, of Gerry and the Pacemakers, has died today aged seventy-eight. As the latest episode of the podcast is late due to personal issues, I thought I’d make this available to the general public – this is a ten-minute Patreon bonus episode I did back in October, on Gerry and the Pacemakers, so it’s here as a little tribute. He’ll be missed. (more…)
Wed, December 23, 2020
Episode one hundred and nine of A History of Rock Music in Five Hundred Songs looks at “Blowin’ in the Wind”, Peter, Paul and Mary, Bob Dylan, the UK folk scene and the civil rights movement. Those of you who get angry at me whenever I say anything that acknowledges the existence of racism may want to skip this one. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “ Santa Claus is Coming to Town” by the Crystals . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Wed, December 16, 2020
Episode 108 of A History of Rock Music in Five Hundred Songs looks at “I Wanna Be Your Man” by the Rolling Stones and how the British blues scene of the early sixties was started by a trombone player. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have an eight-minute bonus episode available, on “ The Monkey Time” by Major Lance. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Bonus · Wed, December 16, 2020
The third in the occasional series of ten-minute looks at topics in the news during the time we’re looking at covers the Kennedy assassination. Click through for the transcript: (more…)
Tue, December 08, 2020
Episode 107 of A History of Rock Music in 500 Songs looks at “Surf City” and the career of Jan and Dean, including a Pop Symphony, accidental conspiracy to kidnap, and a career that both started and ended with attempts to get out of being drafted. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Hey Little Cobra” by the Rip Chords . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Wed, December 02, 2020
Episode 106 of A History of Rock Music in Five Hundred Songs looks at “Louie Louie” by the Kingsmen, and the story of how a band that had already split up accidentally had one of the biggest hits of the sixties and sparked a two-year FBI investigation. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have an eight-minute bonus episode available, on “It’s My Party” by Lesley Gore . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, November 24, 2020
Episode 105 of A History of Rock Music in Five Hundred Songs looks at “Green Onions”, and how a company started by a Western Swing fiddle player ended up making the most important soul records of the sixties. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “He’s So Fine” by the Chiffons. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, November 16, 2020
Episode 104 of A History of Rock Music in Five Hundred Songs looks at “He’s a Rebel”, and how a song recorded by the Blossoms was released under the name of the Crystals. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Sukiyaki” by Kyu Sakamoto. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Bonus · Mon, November 16, 2020
This month’s ten-minute extra bonus episode on news events at the time we’re looking at is on the Profumo Affair, and how a sex scandal transformed Britain. Click through to the full post to read a transcript. (more…)
Thu, November 05, 2020
Episode one hundred and three of A History of Rock Music in Five Hundred Songs looks at “Hitch-Hike” by Marvin Gaye, and the early career of one of Motown’s defining artists. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Any Other Way” by Jackie Shane . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, October 26, 2020
Episode one hundred and two of A History of Rock Music in Five Hundred Songs looks at “Twist and Shout” by the Isley Brothers, and the early career of Bert Berns. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “How Do You Do It?” by Gerry and the Pacemakers. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sat, October 17, 2020
Episode 101 of A History of Rock Music in Five Hundred Songs is the first one of the podcast's third year. This one looks at "Telstar" by the Tornados, and the tragic life of Joe Meek, Britain's first great pop auteur. Click the full post to read liner notes, links to more information, and a transcript of the episode. Apologies for the lateness of this one -- my two-week break got extended when my computer broke down. Patreon backers also have a ten-minute bonus episode available, on "Wipe Out" by the Surfaris . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources As always, I've created a Mixcloud streaming playlist with full versions of all the songs in the episode. Most of the information here comes from The Legendary Joe Meek: The Telstar Man by John Repsch . Some bits come from Clem Cattini: My Life Through the Eye of a Tornado . This compilation contains most of the important singles Meek produced, with the notable exceptions of the Tornados' singles. This, meanwhile, contains the early records he engineered before going into production. This is probably the best compilation of the Tornados' music available. Patreon This podcast is brought to you by the generosity of my backers on Patreon . Why not join them? Transcript Welcome to the third year of A History of Rock Music in 500 Songs, and welcome to the future! Although for this particular future we're actually going backwards a couple of months. This episode and the next one are both about records that were released a little before "Love Me Do", which the most recent episode covered, and that's something I should point out -- the podcast is never going to be absolutely chronological, and in this case it made sense to tell that story before these ones. Before we start this episode, I need to give warnings for a whole lot of different things, because we're looking at one of the most tragic stories we'll see during the course of this podcast. This story contains discussion of occultism, severe mental illness, legalised homophobia, an unsolved probably homophobic murder, and a murder-suicide. I am going to try to deal with all those subjects as sensitively as possible, but if you might bec
Bonus · Tue, October 06, 2020
This is the first of a new monthly feature that will run alongside the main podcast — once a month I’ll be doing a ten-minute bonus episode looking at non-music news from the time we’re covering in the podcast. These can be skipped if you’re only interested in the music, but add valuable context about the culture in which those records were made. This month’s is on the Cuban Missile Crisis. Year three of the podcast starts in a few days’ time, with “Telstar”. Click through for the episode transcript: (more…)
Sat, September 26, 2020
This week there are two episodes of the podcast going up, both of them longer than normal. This one, episode one hundred, is the hundredth-episode special and is an hour and a half long. It looks at the early career of the Beatles, and at the three recordings of “Love Me Do”. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Misirlou” by Dick Dale and the Deltones . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Fri, September 25, 2020
This week there are two episiodes of the podcast going up, both of them longer than normal. This one, episode ninety-nine, is on “Surfin’ Safari” by the Beach Boys, and the group’s roots in LA, and is fifty minutes long. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Misirlou” by Dick Dale and the Deltones . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, September 15, 2020
Episode ninety-eight of A History of Rock Music in Five Hundred Songs looks at “I’ve Just Fallen For Someone” by Adam Faith, and is our final look at the pre-Beatles British pop scene. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “San Francisco Bay Blues” by Jesse Fuller. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Thu, September 10, 2020
Episode ninety-seven of A History of Rock Music in Five Hundred Songs looks at “Song To Woody” by Bob Dylan, and at the Greenwich Village folk scene of the early sixties. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “ Sherry” by the Four Seasons. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, September 01, 2020
Episode ninety-six of A History of Rock Music in Five Hundred Songs looks at “The Loco-Motion” by Little Eva, and how a demo by Carole King’s babysitter became one of the biggest hits of the sixties. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Duke of Earl” by Gene Chandler . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Thu, August 27, 2020
Episode ninety-five of A History of Rock Music in Five Hundred Songs looks at “You Better Move On”, and the sad story of Arthur Alexander. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Mother-In-Law” by Ernie K-Doe. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Bonus · Mon, August 24, 2020
This is a special extra episode of the podcast, not one of the “proper” five hundred. A book I’ve written, on the TV series The Strange World of Gurney Slade, has just become available for pre-order from Obverse Books , so to publicise that I’ve done an extra episode, on the pop music career of its star, Anthony Newley. The next normal episode will be up in a day or two. Transcript below the cut. Erratum: In a previous version of this episode, I mentioned, in passing, my understanding that Newley was an alcoholic. This has been strongly questioned by some fans, who took offence at the suggestion, and as it was utterly irrelevant to the point I was making I have deleted those three words rather than cause further offence. (more…)
Tue, August 18, 2020
Episode ninety-four of A History of Rock Music in Five Hundred Songs looks at “Stand By Me” by Ben E. King, and at the later career of the Drifters. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “If I Had a Hammer” by Trini López . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, August 10, 2020
Episode ninety-three of A History of Rock Music in Five Hundred Songs looks at “Please Mr. Postman” by the Marvelettes, and the career of the first group to have a number one on a Motown label. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “ Take Good Care of My Baby” by Bobby Vee . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sun, August 02, 2020
Episode ninety-two of A History of Rock Music in Five Hundred Songs looks at “The Lion Sleeps Tonight” by The Tokens, and at a seventy-year-long story of powerful people repeatedly ripping off less powerful people, then themselves being ripped off in turn by more powerful people, and at how racism meant that a song that earned fifteen million dollars for other people paid its composer ten shillings. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Tossin’ and Turnin'” by Bobby Lewis . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sat, July 25, 2020
Episode ninety-one of A History of Rock Music in Five Hundred Songs looks at “The Twist” by Chubby Checker, and how the biggest hit single ever had its roots in hard R&B. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Viens Danser le Twist” by Johnny Hallyday , a cover of a Chubby Checker record that became the first number one for France’s biggest rock star. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Also, people have asked me to start selling podcast merchandise, so you can now buy T-shirts from https://500-songs.teemill.com/ . That store will be updated semi-regularly. (more…)
Bonus · Sun, July 19, 2020
Welcome to the seventh and final in the Pledge Week series of episodes, putting up old bonus episodes posted to my Patreon in an attempt to encourage more subscriptions. If you like this, consider subscribing to the Patreon at http://patreon.com/join/andrewhickey . I’m glad to say that this pledge week has been successful enough that I may do another of these in a year or so. This one is about “Sixteen Tons” by Tennessee Ernie Ford, a record that was a huge influence on many, many artists in the mid fifties. (more…)
Sat, July 18, 2020
Episode ninety of A History of Rock Music in Five Hundred Songs looks at “Runaway” by Del Shannon, and at the early use of synthesised sound in rock music. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Blue Moon” by the Marcels. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Bonus · Sat, July 18, 2020
Welcome to the sixth in the Pledge Week series of episodes, putting up old bonus episodes posted to my Patreon in an attempt to encourage more subscriptions. If you like this, consider subscribing to the Patreon at http://patreon.com/join/andrewhickey . This one is about “Black Denim Trousers and Motorcycle Boots” by the Cheers, one of the first Teen Tragedy records, and Leiber and Stoller’s biggest hit. Content warning — contains mentions of deaths in accidents, and of false rape accusations. Click the cut to view a transcript of this episode: (more…)
Bonus · Fri, July 17, 2020
Welcome to the fifth in the Pledge Week series of episodes, putting up old bonus episodes posted to my Patreon in an attempt to encourage more subscriptions. If you like this, consider subscribing to the Patreon at http://patreon.com/join/andrewhickey . This one is about “Ain’t Got No Home” by Clarence “Frogman” Henry, a classic of both novelty music and New Orleans R&B. Click the cut to view a transcript of this episode: (more…)
Bonus · Thu, July 16, 2020
Welcome to the fourth in the Pledge Week series of episodes, putting up old bonus episodes posted to my Patreon in an attempt to encourage more subscriptions. If you like this, consider subscribing to the Patreon at http://patreon.com/join/andrewhickey . This one is about “Shake a Hand” by Faye Adams, a classic of gospel-tinged R&B that influenced Little Richard, Elvis Presley, and Paul McCartney among others. Click the cut to view a transcript of this episode: (more…)
Bonus · Wed, July 15, 2020
Welcome to the third in the Pledge Week series of episodes, putting up old bonus episodes posted to my Patreon in an attempt to encourage more subscriptions. If you like this, consider subscribing to the Patreon at http://patreon.com/join/andrewhickey . This one is about “Blue Yodel #9” by Jimmie Rodgers, but it’s really about two great women who shaped twentieth century popular music without much credit — Lil Hardin and Elsie McWilliams Click the cut to view a transcript of this episode: (more…)
Bonus · Tue, July 14, 2020
Welcome to the second in the Pledge Week series of episodes, putting up old bonus episodes posted to my Patreon in an attempt to encourage more subscriptions. If you like this, consider subscribing to the Patreon at http://patreon.com/join/andrewhickey . Click the cut to view a transcript of this episode: (more…)
Bonus · Mon, July 13, 2020
Welcome to Pledge Week! I’m doing a week of posting some of the Patreon bonuses I’ve done, to encourage those who can to sign up to my Patreon. ERRATUM: My understanding when I did this episode was that “White Lightning” was recorded right after the Big Bopper’s death. That is not actually the case — Jones just turned up drunk to the session because he was drunk, not because of his friend’s death, and they *released* the record a few days after Bopper’s death. Every day of Pledge Week will start with the same section, which I’ll transcribe once, below, before the cut. Pledge Week Intro This is not a proper episode of the podcast. Rather, this is something else. I’ve decided to hold a pledge week, to try to get a few more subscribers to my Patreon. So every day this week I’ll be putting one of the backer-only episodes I’ve done over the past year up on the main podcast feed, so people can hear what it is you get if you sign up for the Patreon, with this little introductory piece before them. If you’re already a backer, you will already have this episode, so you can skip this and everything else labelled “pledge week”. I do one of these every week for my backers, and backers even at the lowest levels get them — if you sign up for a dollar a month you get each new one as it comes out, and access to all the old ones. There are fifty-nine of them up so far, as well as a few other things like the monthly Q&As I’ve been doing for backers. I’m only making seven of these available on the public feed, so there’s a lot still there for you to listen to. If this works well, I might do another one next year, when there’ll be another fifty-odd episodes to choose from. None of this is meant to put any pressure on anyone who can’t afford it to back the podcast — the podcast will always remain free to listen to, and I hope it will remain ad-free as well. I know times are especially tough right now, and many of you literally can’t afford the money you’re already spending, let alone paying any more out. I only want backers who can spare the money. But if you can afford it, and you like these bonus episodes enough, then go to patreon.com slash andrewhickey, that’s spelled h-i-c-k-e-y, or follow the link in the shownotes, and sign up, and you’ll get one of these the same day as every new episode. If you can’t, well… enjoy this extra free bonus, and don’t worry about it. Transcript behind cut (more…)
Fri, July 10, 2020
Episode eighty-nine of A History of Rock Music in Five Hundred Songs looks at “Will You Love Me Tomorrow?” by the Shirelles, and at the beginnings of the Brill Building sound. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Tom Dooley” by the Kingston Trio . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Thu, July 02, 2020
Episode eighty-eight of A History of Rock Music in Five Hundred Songs looks at “Cathy’s Clown” by The Everly Brothers, and at how after signing the biggest contract in music business history their career was sabotaged by their manager. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Poetry in Motion” by Johnny Tillotson . (more…)
Tue, June 23, 2020
Episode eighty-seven of A History of Rock Music in Five Hundred Songs looks at “Apache”, by the Shadows, and at the three years in which they and Cliff Richard were on top of the music world. Patreon backers also have a fifteen-minute bonus episode, on “Handy Man” by Jimmy Jones . My apologies for the lateness of this episode, which is due to my home Internet connection having been out for a week. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Wed, June 10, 2020
Episode eighty-six of A History of Rock Music in Five Hundred Songs looks at “LSD-25” by the Gamblers, the first rock song ever to namecheck acid, and a song by a band so obscure no photos exist of them. (The photo here is of the touring lineup of the Hollywood Argyles. Derry Weaver, the Gamblers’ lead guitarist, is top left). Patreon backers also have a fifteen-minute bonus episode, on “Papa Oom Mow Mow” by the Rivingtons . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Fri, June 05, 2020
Episode eighty-five of A History of Rock Music in Five Hundred Songs looks at “Three Steps to Heaven” by Eddie Cochran, and at the British tour which changed music and ended his life. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode, on “Quarter to Three” by Gary US Bonds. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Thu, May 28, 2020
Episode eighty-four of A History of Rock Music in Five Hundred Songs looks at "Shakin' All Over" by Johnny Kidd and the Pirates, and how the first great British R&B band interacted with the entertainment industry. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode, on "Under Your Spell Again" by Buck Owens. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources As usual, I have put together a Mixcloud mix with every song excerpted in this podcast. Only one biography of Kidd has been written, and that's been out of print for nearly a quarter of a century and goes for ridiculous prices. Luckily Adie Barrett's site http://www.johnnykidd.co.uk/ is everything a fan-site should be, and has a detailed biographical section which I used for the broad-strokes outline. Clem Cattini: My Life, Through the Eye of a Tornado is somewhere between authorised biography and autobiography. It's not the best-written book ever, but it contains a lot of information about Clem's life. Spike & Co by Graham McCann gives a very full account of Associated London Scripts. Pete Frame's The Restless Generation is the best book available looking at British 50s rock and roll from a historical perspective. Be warned, though -- his jokey and irreverent style can, when dealing with people like Larry Parnes (who was gay and Jewish) very occasionally tip over into reinforcing homophobic and anti-semitic stereotypes for an easy laugh. Billy Bragg's Roots, Radicals, and Rockers: How Skiffle Changed the World is one of the best books I've read on music at all, and gives far more detail about the historical background. And a fair chunk of the background information here also comes from the extended edition of Mark Lewisohn's Tune In, which is essential reading for anyone who is interested in the Beatles, British post-war culture, and British post-war music. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript As we get more into this story, we're going to see a lot more
Fri, May 22, 2020
Episode eighty-three of A History of Rock Music in Five Hundred Songs looks at “Only the Lonely” by Roy Orbison, and how Orbison finally found success by ignoring conventional pop song structure. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have two bonus podcasts — part one of a two-part Q&A and a ten-minute bonus on “Walk Don’t Run” by the Ventures . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com (more…)
Thu, May 14, 2020
Episode eighty-two of A History of Rock Music in Five Hundred Songs looks at "Are You Lonesome Tonight?" by Elvis Presley, and the way his promising comeback after leaving the Army quickly got derailed. This episode also contains a brief acknowledgment of the death of the great Little Richard, who died just as I was recording this episode. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Muleskinner Blues" by the Fendermen. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources Apologies for the delay this week -- I've been unwell, as you might be able to tell from the croaky voice in places. Don't worry, it's not anything serious... No Mixcloud this week, as almost every song excerpted is by Elvis, and it would be impossible to do it without breaking Mixcloud's rules about the number of songs by the same artist. My main source for this episode is Careless Love: The Unmaking of Elvis Presley , the second part of Peter Guralnick's two-volume biography of Elvis. It's not *quite* as strong as the first volume, but it's still by far the best book covering his later years. I also used Reconsider Baby: The Definitive Elvis Sessionography 1954-1977 by Ernst Jorgensen. The box set From Nashville to Memphis contains all Elvis' sixties studio recordings other than his gospel and soundtrack albums, and thus manages to make a solid case for Elvis' continued artistic relevance in the sixties, by only including records he chose to make. It's well worth the very cheap price. And Back in Living Stereo , which rounds up the 1960s public domain Elvis recordings, contains the gospel recordings, outtakes, and home recordings from 1960 through 1962. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Errata I say that by the time “Stuck on You” had come out, Elvis had already made his TV appearance with Sinatra. In actual fact, he was still rehearsing for it, and wouldn't record it for a few more days. I also say that the Colonel had managed Gene Austin. In fact the Colonel had only promoted shows for Austin, not been his manager. Transcript Before I start this week'
Mon, May 04, 2020
Episode eighty-one of A History of Rock Music in Five Hundred Songs looks at “Shout” by the Isley Brothers, and the beginnings of a career that would lead to six decades of hit singles. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Tell Laura I Love Her” by Ray Peterson. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, April 27, 2020
Episode eighty of A History of Rock Music in Five Hundred Songs looks at “Money” by Barrett Strong, the dispute over its authorship, and the start of a record label that would change music. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Alley Oop” by the Hollywood Argyles. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Wed, April 22, 2020
Episode seventy-nine of A History of Rock Music in Five Hundred Songs looks at “Sweet Nothin’s” by Brenda Lee, and at the career of a performer who started in the 1940s and who was most recently in the top ten only four months ago. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “16 Candles” by the Crests. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, April 13, 2020
Episode seventy-eight of A History of Rock Music in Five Hundred Songs looks at “What’d I Say” by Ray Charles, and at Charles’ career in jazz, soul, and country. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Sea of Love” by Phil Phillips . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, April 07, 2020
Episode seventy-seven of A History of Rock Music in Five Hundred Songs looks at “Brand New Cadillac” by Vince Taylor and the Playboys, and the sad career of rock music’s first acid casualty. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers have two bonus podcasts this week. There’s a half-hour Q&A episode , where I answer backers’ questions, and a ten-minute bonus episode on “The Hippy Hippy Shake” by Chan Romero . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, March 31, 2020
Episode seventy-six of A History of Rock Music in Five Hundred Songs looks at “Stagger Lee” by Lloyd Price, and how a barroom fight 125 years ago led to a song performed by everyone from Ma Rainey to Neil Diamond. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “That Crazy Feeling” by Kenny Rogers . I have also beeped out some expletives in the song excerpts this week, so as not to be censored by some podcast aggregators, and so I’ve uploaded an unbeeped version for backers. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, March 23, 2020
Episode seventy-five of A History of Rock Music in Five Hundred Songs looks at “There Goes My Baby” by the Drifters, and how a fake record label, a band sacked for drunkenness, and a kettledrum player who couldn’t play led to a genre-defining hit. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Rebel Rouser” by Duane Eddy Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Tue, March 17, 2020
Episode seventy-four of A History of Rock Music in Five Hundred Songs looks at “It Doesn’t Matter Any More” by Buddy Holly, and at the reasons he ended up on the plane that killed him. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Chantilly Lace” by the Big Bopper . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com (more…)
Mon, March 09, 2020
Episode seventy-three of A History of Rock Music in Five Hundred Songs looks at “La Bamba” by Ritchie Valens, and is the first of a two-part story which will conclude next week with an episode on Buddy Holly. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Kansas City” by Wilbert Harrison . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, March 02, 2020
Episode seventy-two of A History of Rock Music in Five Hundred Songs looks at “Trouble” by Elvis Presley, his induction into the army, and his mother’s death. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “When” by the Kalin Twins . Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, February 24, 2020
Episode seventy-one of A History of Rock Music in 500 Songs continues our look at British music TV by looking at the first time it affected American R&B, and is also our final look at Johnny Otis. Patreon backers also have a ten-minute bonus episode available, on “Short Shorts” by the Royal Teens , a group whose members went on to be far more important than one might expect. Also, this is the first of hopefully many podcasts to come where Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Mon, February 17, 2020
Episode seventy of A History of Rock Music in 500 Songs looks at "Move It" by Cliff Richard, and the beginning of rock and roll TV in the UK. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Poor Little Fool" by Ricky Nelson , another artist whose career was made by TV, and one who influenced Cliff Richard hugely. ERRATUM: I say Cliff Richard was sixteen when he first heard “Heartbreak Hotel”. He was fifteen. Resources As always, I've created a Mixcloud streaming playlist with full versions of all the songs in the episode. This four-CD set contains all the singles and EPs released by Cliff Richard and the Shadows, together and separately, between 1958 and 1962. This MP3 compilation, meanwhile, contains a huge number of skiffle records and early British attempts at rock and roll. Much of the music is not very good, but I can't imagine a better way of getting an understanding of the roots of British rock. Pete Frame's The Restless Generation is the best book available looking at British 50s rock and roll from a historical perspective. Be warned, though -- his jokey and irreverent style can, when dealing with people like Larry Parnes (who was gay and Jewish) very occasionally tip over into reinforcing homophobic and anti-semitic stereotypes for an easy laugh. Billy Bragg's Roots, Radicals, and Rockers: How Skiffle Changed the World is one of the best books I've read on music at all, and gives far more detail about the historical background. And Cliff Richard: The Biography by Steve Turner is very positive towards Richard, but not at the expense of honesty. Patreon This podcast is brought to you by the generosity of my backers on Patreon . Why not join them? Transcript We've looked a little bit at the start of rock and roll in Britain, which was so different from the American music that it feels absurd to talk of the two in the same breath. But today we're going to have a look at the first really massive star of British rock and roll -- someone who is still going strong today, more than sixty years after he released his first record: [Excerpt: Cliff Richard, "Move It"] When we've looked at British rock and roll to this point, it's been rather lifeless, and there's a reason for that. There were, in the mid-fifties, two different streams of music in Britain that were aiming t
Mon, February 10, 2020
Episode sixty-nine of A History of Rock Music in Five Hundred Songs looks at “Fujiyama Mama” by Wanda Jackson, and the first rock and roller to become “big in Japan” Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Purple People Eater” by Sheb Wooley. (more…)
Tue, February 04, 2020
Episode sixty-eight of A History of Rock Music in Five Hundred Songs looks at “Yakety Yak'” by The Coasters, and at the group’s greatest success and split, and features discussion of racism, plagiarism, STDs and Phil Spector. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Tears on My Pillow” by Little Anthony and the Imperials . (more…)
Mon, January 27, 2020
Episode sixty-seven of A History of Rock Music in Five Hundred Songs looks at “Johnny B. Goode” by Chuck Berry, and the decline and fall of both Berry and Alan Freed. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Splish Splash” by Bobby Darin . (more…)
Mon, January 20, 2020
Episode sixty-six of A History of Rock Music in Five Hundred Songs looks at "Great Balls of Fire" by Jerry Lee Lewis. Click the full post to read liner notes, links to more information, and a transcript of the episode. This one comes with a bit of a content warning, as while it has nothing explicit, it deals with his marriage to his thirteen-year-old cousin. Patreon backers also have a ten-minute bonus episode available, on "Rumble" by Link Wray . Resources As always, I've created a Mixcloud streaming playlist with full versions of all the songs in the episode (with one exception, which I mention in the podcast). The Spark That Survived by Myra Lewis Williams is Myra's autobiography, and tells her side of the story, which has tended to be ignored in favour of her famous husband's side. I'm relying heavily on Sam Phillips: the Man Who Invented Rock and Roll by Peter Guralnick for all the episodes dealing with Phillips and Sun Records. Books on Jerry Lee Lewis tend to be very flawed, as the authors all tend to think they're Faulkner rather than giving the facts. This one by Rick Bragg is better than most. There are many budget CDs containing Lewis' pre-1962 work. This set seems as good an option as any. And this ten-CD box set contains ninety Sun singles in chronological order, starting with "Whole Lotta Shakin'" and covering the Jerry Lee Lewis, Johnny Cash, and Carl Perkins records discussed here. There are few better ways to get an idea of Lewis' work in context. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them ? Erratum: I say “Glad All Over” was written by Aaron Schroeder. In fact it was co-written by Schroeder, Roy Bennett, and Sid Tepper. Transcript We've looked before at the rise of Jerry Lee Lewis, but in this episode we're going to talk about his fall. And for that reason I have to put a content warning at the beginning here. While I'm not going to say anything explicit at all, this episode has to deal with events that I, and most of my listeners, would refer to as child sexual abuse, though the child in question still, more than sixty years later, doesn't see them that way, and I don't want to say anything that imposes my framing over hers. If you might find this subject distressing, I suggest reading the transcript before listening, or just skipping this episode. It also deals, towards the end, with domestic v
Mon, January 13, 2020
Episode sixty-five of A History of Rock Music in Five Hundred Songs looks at “Maybe” by the Chantels, and covers child stardom, hymns in Latin, and how to get discovered twice in one day. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Don’t You Just Know It” by Huey “Piano” Smith and the Clowns . (more…)
Mon, January 06, 2020
Episode sixty-four of A History of Rock Music in Five Hundred Songs looks at “Reet Petite” by Jackie Wilson, and features talent contests with too much talent, the prehistory of Motown, a song banned by the BBC, and a possible Mafia hit. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Get a Job” by the Silhouettes . (more…)
Mon, December 30, 2019
Episode sixty-three of A History of Rock Music in Five Hundred Songs looks at “Susie Q” by Dale Hawkins, and at the difference between rockabilly and electric blues. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “ Shake a Hand” by Faye Adams. (more…)
Sun, December 22, 2019
Episode sixty-two of A History of Rock Music in Five Hundred Songs looks at “Jailhouse Rock” by Elvis Presley, and at his relationships with Colonel Tom Parker, Leiber and Stoller, his band members, and the film industry. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on Santa Claus is Back in Town , also by Elvis, which ties in more than most to this episode. (more…)
Mon, December 16, 2019
Episode sixty-one of A History of Rock Music in Five Hundred Songs looks at "That'll Be the Day" by The Crickets. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Rudolph the Red-Nosed Reindeer" by Gene Autry Errata I say in here that Larry Welborn lent Holly a thousand dollars. That money was actually lent Holly by his brother, also called Larry. I also at one point say "That'll Be the Day" was co-written by Joe Allison. I meant Jerry Allison, of course -- Joe Allison was also a Texan songwriter, but had no involvement in that song. Resources As usual, I've created a Mixcloud mix with all the recordings excerpted here. I've used two biographies for the bulk of the information here -- Buddy Holly: Learning the Game , by Spencer Leigh, and Rave On: The Biography of Buddy Holly by Philip Norman. There are many collections of Buddy Holly's work available, but many of them are very shoddy, with instrumental overdubs recorded over demos after his death. The best compilation I am aware of is The Memorial Collection , which contains almost everything he issued in his life, as he issued it (for some reason two cover versions are missing) along with the undubbed acoustic recordings that were messed with and released after his death. A lot of the early recordings with Bob, Larry, and/or Sonny that I reference in this episode are included in Down The Line: Rarities , a companion set to the Memorial Collection. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them ? Transcript And so, far later in the story than many people might have been expecting, we finally come to Buddy Holly, the last of the great fifties rockers to appear in our story. Nowadays, Holly gets counted as a pioneer of rock and roll, but in fact he didn't turn up until the genre had become fairly well established in the charts. Which is not to say that he wasn't important or innovative, just that he was one of the greats of the second wave -- from a twenty-first-century perspective, Buddy Holly looks like one of the people who were there when rock and roll was invented, but by the time he had his first hit, Bill Haley, Carl Perkins, and Gene Vincent had all had all their major chart hits, and were on their way down and out. Little Richard was still touring, but he'd already recorded his last r
Mon, December 09, 2019
Episode sixty of A History of Rock Music in Five Hundred Songs looks at “You Send Me” by Sam Cooke Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Little Darlin'” by The Gladiolas . Also, an announcement — the book version of the first fifty episodes is now available for purchase. See the show notes, or the previous mini-episode announcing this , for details. (more…)
Bonus · Mon, December 09, 2019
Transcript This is just a quick announcement that the book based on the first fifty episodes of the podcast is now available for purchase. From Savoy Stompers to Clock Rockers covers forty-nine of the first fifty episodes – I’ve replaced the episode on Bill Doggett with a version of the Patreon-only bonus episode on Johnnie Ray. It’s currently available in paperback ( UK ) ( US ) and ebook versions, and there’ll be links to buy it in the liner notes to this announcement and in the notes to every episode going forward, or search on Amazon for my name and the podcast title. I’ll be putting out a hardback version shortly, for those who prefer that. Patreon backers at the $5 and above level have ebook copies already , and I’ll be sending out their physical copies over the next few weeks. Thank you.
Mon, December 02, 2019
Episode fifty-nine of A History of Rock Music in Five Hundred Songs looks at “Whole Lotta Shakin’ Goin’ On” by Jerry Lee Lewis. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “So Long I’m Gone” by Warren Smith. (more…)
Mon, November 25, 2019
Episode fifty-eight of A History of Rock Music in Five Hundred Songs looks at “Mr. Lee” by the Bobbettes, and at the lbirth of the girl group sound. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Little Bitty Pretty One”, by Thurston Harris. (more…)
Mon, November 18, 2019
Episode fifty-seven of A History of Rock Music in Five Hundred Songs looks at “Flying Saucers Rock ‘n’ Roll” by Billy Lee Riley and the Little Green Men, and at the flying saucer craze of the fifties. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Silhouettes” by the Rays, and the power of subliminal messages. (more…)
Mon, November 11, 2019
Episode fifty-six of A History of Rock Music in Five Hundred Songs looks at "Bye Bye Love" by The Everly Brotherss, and at the history of country close harmony. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Short Fat Fannie" by Larry Williams . Resources As always, I've created a Mixcloud streaming playlist with full versions of all the songs in the episode. There are no first-rate biographies of the Everly Brothers in print, at least in English (apparently there's a decent one in French, but I don't speak French well enough for that). Ike's Boys by Phyllis Karp is the only full-length bio, and I relied on that in the absence of anything else, but it's been out of print for nearly thirty years, and is not worth the exorbitant price it goes for second-hand. How Nashville Became Music City by Michael Kosser has a good amount of information on the Bryants. The Everlypedia is a series of PDFs containing articles on anything related to the Everly Brothers, in alphabetical order. There are many, many cheap compilations of the Everly Brothers' early material available. I'd recommend this one , because as well as all the hits up to 1962 it has the complete Songs our Daddy Taught Us. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript [Intro: Ike Everly introducing the Everly Brothers] We've talked before about how vocal harmonies are no longer a big part of rock music, but were essential to it in the fifties and sixties. But what we've not discussed is that there are multiple different types of harmony that we see in the music of that period. One, which we've already seen, is the vocal group sound -- the sound of doo-wop. There, there might be a lead singer, but everyone involved has their own important role to play, singing separate backing vocal lines that intertwine. One singer will be taking a bass melody, another will be singing a falsetto line, and so on. It's the sound of a collection of individual personalities, working together but to their own agendas. Another style which we're going to look at soon is the girl group sound. There you have a lead singer singing a line on her own, and two or three backing vocalists echoing lines on the chorus -- it's the sound of a couple of friends providing support for someone who's in troub
Mon, November 04, 2019
Episode fifty-five of A History of Rock Music in Five Hundred Songs looks at “Searchin'” by The Coasters, and at the lineup changes and conflicts that led to them becoming the perfect vehicle for Leiber and Stoller. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Raunchy” by Bill Justis. (more…)
Mon, October 28, 2019
Episode fifty-four of A History of Rock Music in Five Hundred Songs looks at “Keep A Knockin'” by Little Richard, the long history of the song, and the tension between its performer’s faith and sexuality. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “At the Hop” by Danny and the Juniors . (more…)
Mon, October 21, 2019
Episode fifty-three of A History of Rock Music in Five Hundred Songs looks at “I Put a Spell on You” by Screamin’ Jay Hawkins, and the career of a man who had more than fifty more children than hit records. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Since I Met You Baby” by Ivory Joe Hunter (more…)
Mon, October 14, 2019
Episode fifty-two of A History of Rock Music in Five Hundred Songs looks at “Twenty Flight Rock” by Eddie Cochran, and at the first great rock and roll film Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Teen-Age Crush” by Tommy Sands . (more…)
Mon, October 07, 2019
Episode fifty-one of A History of Rock Music in Five Hundred Songs looks at “Matchbox” by Carl Perkins, and at the session that turned into the historic Million Dollar Quartet jam session. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Blue Yodel #9” by Jimmie Rodgers. (more…)
Bonus · Mon, September 30, 2019
This week’s episode of A History of Rock Music in Five Hundred Songs is the second of two bonus episodes answering listener questions at the end of the first year of the podcast. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a bonus podcast, answering even more questions. (more…)
Bonus · Mon, September 23, 2019
This week’s episode of A History of Rock Music in Five Hundred Songs is the first of two bonus episodes answering listener questions at the end of the first year of the podcast.. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, September 16, 2019
Episode fifty of A History of Rock Music in Five Hundred Songs looks at “Honky Tonk” by Bill Doggett, and uses his career to provide a brief summary of the earlier episodes of the podcast as we’re now moving forward into the next stage of the story. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Sixteen Tons” by Tennessee Ernie Ford . (more…)
Mon, September 09, 2019
Welcome to episode forty-eight of A History of Rock Music in Five Hundred Songs . This one looks at “Love is Strange” by Mickey and Sylvia, and how a reluctant bluesman who wrote books on jazz guitar, and a failed child star who would later become the mother of hip-hop, made a classic. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a bonus episode available . This one’s on “Ain’t Nobody’s Business” by Jimmy Witherspoon, and is about blues shouting and the ambition to have a polyester suit. (more…)
Mon, September 02, 2019
Welcome to episode forty-eight of A History of Rock Music in Five Hundred Songs . This one looks at "Rock With the Caveman" by Tommy Steele, and the birth of the British rock and roll industry. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a bonus episode available . This one's on "The Death of Rock and Roll" by the Maddox Brothers and Rose, in which we look at a country group some say invented rock & roll, and how they reacted badly to it Resources As always, I've created a Mixcloud streaming playlist with full versions of all the songs in the episode. This double-CD set contains all Steele's rock and roll material, plus a selection of songs from the musicals he appeared in later. This MP3 compilation, meanwhile, contains a huge number of skiffle records and early British attempts at rock and roll, including Steele's. Much of the music is not very good, but I can't imagine a better way of getting an understanding of the roots of British rock. Pete Frame's The Restless Generation is the best book available looking at British 50s rock and roll from a historical perspective. Billy Bragg's Roots, Radicals, and Rockers: How Skiffle Changed the World is one of the best books I've read on music at all, and covers Steele from the skiffle perspective. Fings Ain't What They Used T'Be: The Life of Lionel Bart by David & Caroline Stafford gave me a lot of information on Steel's songwriting partner. Steele's autobiography, Bermondsey Boy, c overs his childhood and early stardom. I am not 100% convinced of its accuracy, but it's an entertaining book, and if nothing else probably gives a good idea of the mental atmosphere in the poor parts of South London in the war and immediate post-war years. And George Melly's Revolt Into Style was one of the first books to take British pop culture seriously, and puts Steele into a wider context of British pop, both music and art. Patreon This podcast is brought to you by the generosity of my backers on Patreon . Why not join them? Transcript Let's talk a little bit about the Piltdown Man. Piltdown Man was an early example of a hominid -- a missing link between the apes and humans. Its skull was discovered in 1912 in Piltdown, East Sussex, by the eminent archaeologist Charles Dawson, and for years was considered one
Mon, August 26, 2019
Welcome to episode forty-seven of A History of Rock Music in Five Hundred Songs . This one looks at “Goodnight My Love” by Jesse Belvin, and at the many groups he performed with, and his untimely death. . Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus podcast, on “In the Still of the Night” by the Five Satins (more…)
Mon, August 19, 2019
Episode forty-six of A History of Rock Music in Five Hundred Songs looks at “Brown-Eyed Handsome Man” by the Chuck Berry Combo, and how Berry tried to square the circle of social commentary and teen appeal. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Rock and Roll Waltz” by Kay Starr. . (more…)
Sun, August 11, 2019
Episode forty-five of A History of Rock Music in Five Hundred Songs looks at “Blueberry Hill” by Fats Domino, and at how the racial tensions of the fifties meant that a smiling, diffident, cheerful man playing happy music ended up starting riots all over the US. Patreon backers also have a ten-minute bonus episode available, on “Birmingham Bounce” by Hardrock Gunter . (more…)
Mon, August 05, 2019
Episode forty-four of A History of Rock Music in Five Hundred Songs looks at “Train Kept A-Rollin'” by Johnny Burnette and the Rock ‘n’ Roll Trio, and how a rockabilly trio from Memphis connect a novelty cowboy song by Ella Fitzgerald to Motorhead and Aerosmith. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Jump, Jive, an’ Wail”, by Louis Prima . (more…)
Mon, July 29, 2019
Episode forty-three of A History of Rock Music in Five Hundred Songs looks at “I Gotta Know” by Wanda Jackson, and the links between rockabilly and the Bakersfield Sound. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Bacon Fat” by Andre Williams . (more…)
Mon, July 22, 2019
Episode forty-two of A History of Rock Music in Five Hundred Songs looks at “Ooby Dooby” by Roy Orbison and the Teen Kings, and the time when Sam Phillips got things badly wrong.. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Blue Yodel #9” by Jimmie Rodgers . (more…)
Mon, July 15, 2019
Episode forty-one of A History of Rock Music in Five Hundred Songs looks at “Be-Bop-A-Lula” by Gene Vincent and the Blue Caps, and how Vincent defined for many what a rock and roll star was. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Smokestack Lightning” by Howlin’ Wolf . (more…)
Sun, July 07, 2019
Episode forty of A History of Rock Music in Five Hundred Songs looks at “Drugstore Rock ‘n’ Roll”, by Janis Martin, an early rockabilly classic by the woman known as “the Female Elvis”. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Fever” by Little Willie John (more…)
Mon, July 01, 2019
Episode thirty-nine of A History of Rock Music in Five Hundred Songs looks at “Please Please Please” by James Brown, and at the early rock and roll career of the Godfather of Soul. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Come Go With Me” by the Del Vikings. (more…)
Mon, June 24, 2019
Episode thirty-eight of A History of Rock Music in Five Hundred Songs looks at “Heartbreak Hotel” by Elvis Presley, and is part three of a trilogy on the aftermath of Elvis leaving Sun, and the birth of rockabilly. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “The Flying Saucer” by Buchanan and Goodman. Also, it came too late for me to acknowledge in the episode itself, but I have to mention the sad news that Dave Bartholomew died today, aged 100. He will be missed. (more…)
Sun, June 16, 2019
Episode thirty-seven of A History of Rock Music in Five Hundred Songs looks at “I Walk The Line” by Johnny Cash, and is part two of a trilogy on the aftermath of Elvis leaving Sun, and the birth of rockabilly. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a thirteen-minute bonus episode available, on “Don’t Be Angry” by Nappy Brown . (more…)
Sun, June 09, 2019
Episode thirty-six of A History of Rock Music in Five Hundred Songs looks at “Blue Suede Shoes” by Carl Perkins, and is part one of a trilogy on the aftermath of Elvis leaving Sun, and the birth of rockabilly. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Black Denim Trousers and Motorcycle Boots” by the Cheers . (more…)
Mon, June 03, 2019
Episode thirty-five of A History of Rock Music in Five Hundred Songs looks at “Why Do Fools Fall in Love?” by Frankie Lymon and the Teenagers, and at the terrible afterlife of child stardom. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Space Guitar” by Johnny “Guitar” Watson. (more…)
Tue, May 28, 2019
Episode thirty-four of A History of Rock Music in Five Hundred Songs looks at "Tutti Frutti" by Little Richard, and at the rather more family-unfriendly subject the song was originally about. Click the full post to read liner notes, links to more information, and a transcript of the episode. Also, a reminder for those who didn't see the previous post -- my patreon backers are now getting ten-minute mini-episodes every week, and the first one is up , and I guested on Jaffa Cake Jukebox this week, talking about the UK top twenty for January 18 1957. Resources As always, I've created a Mixcloud streaming playlist with full versions of all the songs in the episode. Most of the information used here comes from The Life and Times of Little Richard: The Authorised Biography by Charles White , which is to all intents and purposes Richard's autobiography, as much of the text is in his own words. A warning for those who might be considering buying this though -- it contains descriptions of his abuse as a child, and is also full of internalised homo- bi- and trans-phobia. This collection contains everything Richard recorded before 1962, from his early blues singles through to his gospel albums from after he temporarily gave up rock and roll for the church. Patreon This podcast is brought to you by the generosity of my backers on Patreon . Why not join them? Transcript There are a handful of musicians in the history of rock music who seem like true originals. You can always trace their influences, of course, but when you come across one of them, no matter how clearly you can see who they were copying and who they were inspired by, you still just respond to them as something new under the sun. And of all the classic musicians of rock and roll, probably nobody epitomises that more than Little Richard. Nobody before him sounded like he did, and while many later tried -- everyone from Captain Beefheart to Paul McCartney -- nobody ever quite sounded like him later. And there are good reasons for that, because Little Richard was -- and still is -- someone who is quite unlike anyone else. [Excerpt: Little Richard, "Tutti Frutti", just the opening phrase] This episode will be the first time we see queer culture becoming a major part of the rock and roll story -- we've dealt with possibly-LGBT people before, of course, with Big Mama Thornton and Sister Rosetta Tharpe, and with Johnny Ray in the Patreon-only episode about him, but thi
Mon, May 20, 2019
Welcome to episode thirty-three of A History of Rock Music in Five Hundred Songs . This one looks at “Mystery Train” by Elvis Presley. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, May 13, 2019
Welcome to episode thirty-two of A History of Rock Music in Five Hundred Songs . This one looks at “I Got A Woman” by Ray Charles. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, May 06, 2019
Welcome to episode thirty-one of A History of Rock Music in Five Hundred Songs . This one looks at “Only You” by the Platters. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, April 29, 2019
Welcome to episode thirty of A History of Rock Music in Five Hundred Songs . This is the last of our three-part look at Chess Records, and focuses on "Bo Diddley" by Bo Diddley. Click the full post to read liner notes, links to more information, and a transcript of the episode. Resources As always, I've created a Mixcloud streaming playlist with full versions of all the songs in the episode.I accidentally used a later rerecording of "I Wish You Would" by Billy Boy Arnold on the playlist, but I use the correct version in the podcast itself. Sorry about that. As this is part three of the Chess Records trilogy, you might want to listen to part one, on the Moonglows , and part two, on Chuck Berry, if you haven't already. Along with the resources mentioned in the previous two episodes, the resource I used most this time was Bo Diddley: Living Legend by George R. White , a strong biography told almost entirely in Diddley's own words from interviews, and the only full-length book on Diddley. This compilation contains Diddley's first six albums plus a bunch of non-album and live tracks, and has everything you're likely to want by Diddley on it, for under ten pounds. If you want to hear more Muddy Waters after hearing his back-and-forth with Diddley, this double CD set is a perfect introduction to him. Patreon This podcast is brought to you by the generosity of my backers on Patreon . Why not join them? Transcript Welcome to the final part of our trilogy about Chess Records. Last week, we looked at Chuck Berry. This week, we're going to deal with someone who may even have been more important. One of the many injustices in copyright law -- and something that we'll have a lot of cause to mention during the course of this series -- is that, for the entire time period covered by this podcast, it was impossible to copyright a groove or a rhythm, but you could copyright a melody line and lyric. And this has led to real inter-racial injustice. In general, black musical culture in the USA has emphasised different aspects of musical invention than white culture has. While white American musical culture -- particularly *rich* white musical culture -- has stressed inventive melodies and harmonic movement -- think of, say, Burt Bacharach or George Gershwin -- it has not historically stressed rhythmic invention. On the other hand, black musical culture has stressed that above everything else -- you'll notice th
Mon, April 22, 2019
Welcome to episode twenty-nine of A History of Rock Music in Five Hundred Songs . This is the second of our three-part look at Chess Records, and focuses on “Maybellene” by Chuck Berry. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Sun, April 14, 2019
Welcome to episode twenty-eight of A History of Rock Music in Five Hundred Songs . Today we’re looking at The Moonglows and “Sincerely”. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Sun, April 07, 2019
Welcome to episode twenty-seven of A History of Rock Music in Five Hundred Songs . Today we’re looking at LaVern Baker and “Tweedle Dee”. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, April 01, 2019
Welcome to episode twenty-six of A History of Rock Music in Five Hundred Songs . Today we’re looking at Fats Domino and “Ain’t That A Shame”. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Tue, March 26, 2019
Welcome to episode twenty-five of A History of Rock Music in Five Hundred Songs . Today we’re looking at “Earth Angel” by the Penguins. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, March 18, 2019
Welcome to episode twenty-four of A History of Rock Music in Five Hundred Songs . Today we’re looking at “Ko Ko Mo” by Gene and Eunice. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, March 11, 2019
Welcome to episode twenty-three of A History of Rock Music in Five Hundred Songs . Today we’re looking at “Pledging My Love” by Johnny Ace Click the full post to read liner notes, links to more information, and a transcript of the episode. Also, remember I’m three-quarters of the way through the Kickstarter for the first book based on this series. (more…)
Mon, March 04, 2019
Welcome to episode twenty-two of A History of Rock Music in Five Hundred Songs . Today we’re looking at “The Wallflower” by Etta James. Click the full post to read liner notes, links to more information, and a transcript of the episode. Also, remember I’m halfway through the Kickstarter for the first book based on this series. (more…)
Mon, February 25, 2019
Welcome to episode twenty of A History of Rock Music in Five Hundred Songs . Today we’re looking at “Rock Island Line” by Lonnie Donegan. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, February 18, 2019
Welcome to episode twenty of A History of Rock Music in Five Hundred Songs . Today we’re looking at “Rock Around the Clock” by Bill Haley and the Comets. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, February 11, 2019
Welcome to episode nineteen of A History of Rock Music in Five Hundred Songs . Today we're looking at "That's All Right Mama" by Elvis Presley. Click the full post to read liner notes, links to more information, and a transcript of the episode. Resources As always, I've created a Mixcloud streaming playlist with full versions of all the songs in the episode. Elvis' 1950s catalogue is, at least in the UK, now in the public domain, and can thus be found in many forms. This three-CD box set contains literally every recording he made from 1953 through 1955, including live recordings and session outtakes, along with a handsome book. This ten-disc set, meanwhile, charts the history of Sun Records, with the A- and B-sides of ninety of the first Sun singles, including all Elvis' five Sun releases in their historical context, as well as "Bear Cat" and a lot of great blues and rockabilly. And this four-CD box set of Arthur Crudup contains everything you could want by that great bluesman. I've relied on three books here more than any others. The first is "Before Elvis" by Larry Birnbaum. which I've recommended many times before. The other two are by Peter Guralnick -- Sam Phillips: The Man Who Invented Rock 'n' Roll , and Last Train to Memphis . The latter is the first volume of Guralnick's two-volume biography of Elvis. The second volume of that book is merely good, not great (though still better than much of the nonsense written about Elvis), but Last Train to Memphis is, hands down, the best book on Elvis there is. (A content warning for both Guralnick books -- they use racial slurs in reported speech, though never in anything other than a direct quote). Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, I just want to emphasise that in this episode I talk about some of Sam Phillips' ideas around race and how to end racism. I hope I make it clear that I disagree with his ideas, but in trying to be fair and present his thinking accurately I may have given a different impression. I'm sure people listening to this in the context of the series as a whole understand where I'm coming from, but I'm aware that this will be some people's first episode. There's a reason this comes after the episode on “Sh'Boom”. If you come out of this episode thinking I think the way to end racism is to have white people perform black people's music, go back and listen to that one.
Mon, February 04, 2019
Welcome to episode eighteen of A History of Rock Music in Five Hundred Songs . Today we’re looking at “Sh-Boom” by the Chords. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, January 28, 2019
Welcome to episode seventeen of A History of Rock Music in Five Hundred Songs . Today we’re looking at “Money Honey” by the Drifters. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, January 21, 2019
Welcome to episode sixteen of A History of Rock Music in Five Hundred Songs . Today we’re looking at “Crazy Man Crazy” by Bill Haley and the Comets. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, January 14, 2019
Welcome to episode fifteen of A History of Rock Music in Five Hundred Songs . Today we’re looking at “Hound Dog” by Big Mama Thornton. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, January 07, 2019
Welcome to episode fourteen of A History of Rock Music in Five Hundred Songs . Today we’re looking at “Jambalaya” by Hank Williams. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, December 31, 2018
Welcome to episode thirteen of A History of Rock Music in Five Hundred Songs . Today we’re looking at “(Mama) He Treats Your Daughter Mean” by Ruth Brown. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Sun, December 23, 2018
Welcome to episode twelve of A History of Rock Music in Five Hundred Songs . Today we’re looking at “Lawdy Miss Clawdy” by Lloyd Price. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Sun, December 16, 2018
Welcome to episode eleven of A History of Rock Music in Five Hundred Songs . Today we’re looking at “Rocket 88” by Jackie Brenston and the Delta Cats. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Sun, December 09, 2018
Welcome to episode ten of A History of Rock Music in Five Hundred Songs . Today we’re looking at “Double Crossin’ Blues” by Johnny Otis, Little Esther, and the Robins. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, December 03, 2018
Welcome to episode nine of A History of Rock Music in Five Hundred Songs . Today we’re looking at Les Paul and Mary Ford, and “How High The Moon”. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, November 26, 2018
Welcome to episode eight of A History of Rock Music in Five Hundred Songs . Today we’re looking at Fats Domino and “The Fat Man”. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)
Mon, November 19, 2018
Welcome to episode seven of A History of Rock Music in Five Hundred Songs . Today we’re looking at Wynonie Harris and “Good Rockin’ Tonight” (more…)
Mon, November 12, 2018
Welcome to episode six of A History of Rock Music in Five Hundred Songs . Today we’re looking at the Ink Spots and “That’s When Your Heartaches Begin” (more…)
Mon, November 05, 2018
Welcome to episode five of A History of Rock Music in Five Hundred Songs . Today we’re looking at Sister Rosetta Tharpe and “This Train” (more…)
Mon, October 29, 2018
Welcome to episode four of A History of Rock Music in Five Hundred Songs . Today we’re looking at Louis Jordan and “Choo Choo Ch’Boogie” (more…)
Bonus · Sun, October 21, 2018
Transcript This is not a full episode of A History of Rock Music in 500 Songs . The full episode will also turn up in your podcatcher. But I thought I should do a separate episode as a disclaimer. I’m placing this one here because in the next epsiode proper I talk about “the king of Western swing” and I don’t refer to Spade Cooley, and I thought I should explain why. You see, there were two people who were generally called “the King of Western Swing”, both had a good claim for it. One of them was Bob Wills, and I’m going to talk about him in the episode. The other was Spade Cooley, and Cooley was a domestic abuser who eventually murdered his wife. Now, this is a history of rock and roll, and so I am going to have to deal with a lot of abusers, sex criminals, and even a few murderers. You simply can’t tell the history of rock and roll without talking about Ike Turner, Chuck Berry, Jerry Lee Lewis, Phil Spector, Jimmy Page… I could go on. But suffice to say that I think the assumption one should make when talking about rock music history is that any man discussed in it is a monster unless proved otherwise. I’m going to have to talk about those men’s work, and how it affected other things, because it’s so influential. And I admire a lot of that work. But I never, ever, want to give the impression that I think the work in any way mitigates their monstrosity, or do that thing that so many people do of excusing them because “it was a different time”. But in order for this to be a history of rock music, and not a prurient history of misogynistic crime, I’m probably not going to mention every awful thing these people do. I’m going to deal with it on a case by case basis, and I *will* make wrong calls. If I don’t mention something when I get to one of those men, and you think it needed mentioning, by all means tell me about it in comments. But please don’t take that lack of mention as being endorsement of those people. However, in the case of Spade Cooley, he needed mentioning here, because I’m talking about Western swing in the next episode. But Cooley’s overall influence on rock and roll is basically zero, so in that episode, I’m going to pretend he never existed. If you want to hear about him, check out a podcast called Cocaine and Rhinestones . The episode there is horrifying, but it puts him in his proper context. But I thought I should make this disclaimer now and have it count for every episode of the podcast going forward. Thank you.
Sun, October 21, 2018
Welcome to episode three of A History of Rock Music in Five Hundred Songs . Today we’re looking at Bob Wills and “Ida Red”. (more…)
Sun, October 14, 2018
Here’s the second episode, on “Roll ‘Em Pete” by Big Joe Turner and Pete Johnson. One erratum before we continue — in the episode, I say that “Shake, Rattle, and Roll” follows a particular formula common in hokum songs. That’s not actually true for the original version — it is true for Bill Haley’s cover version, and Elvis’ and the versions after them, but in Joe Turner’s version the part we now know as the chorus didn’t come in until near the end. Sorry about the mistake. (more…)
Sun, October 07, 2018
Welcome to the first episode proper of A History of Rock Music in 500 Songs ! As this is the first real episode, you may notice a couple of flaws in the production — those will hopefully get ironed out in the coming weeks. In the meantime, sit back and listen to the story of “Flying Home” by the Benny Goodman Sextet! (more…)
Sun, September 30, 2018
Welcome to A History of Rock Music in 500 Songs ! Episode 1, the first episode proper, is coming next week, but for now here’s an introduction, laying out my plans for the series. As I say in the tag at the end of every episode, please, if you like this episode, tell someone about it — word of mouth is important, especially with these early episodes. Resources Mentioned in the Podcast My book, California Dreaming: The LA Pop Music Scene and the 60s , available here . Transcript Rock and roll as a cultural force is, it is safe to say, dead. This is not necessarily a bad thing, and nor does it mean that good rock and roll music isn’t being made any more. Rather, rock, like jazz, has become a niche musical interest. It’s a large niche, and it will be so long as there are people around who grew up in the last half of the last century, but the cultural influence it once had has declined precipitously in the last decade or so. These days, various flavours of hip-hop, electronic dance music, manufactured pop, and half a dozen genres that a middle-aged man like myself couldn’t even name are having the cultural and commercial impact that in previous decades was mostly made by guitar bands. And this means that for the first time, it’s possible to assess rock music (or rock and roll — the two terms are not quite interchangeable, but this is not the place for a discussion of the terminology, which will come later) in a historical context. In fact this may be the best time for it, when it’s still interesting to a wide audience, and still fresh in the memory, but it’s not still an ongoing story that will necessarily change. Almost all of the original generation of rock and roll musicians are now dead (the only prominent exceptions at the moment being Jerry Lee Lewis, Don Everly, and Little Richard, although numerous lesser-known musicians from the time are still working occasionally), but their legacy is still having an impact. So in this podcast series I will look at the history of rock and roll music, starting with a few pre-rock songs that clearly influenced the burgeoning rock and roll genre, and ending up in 1999 — it makes sense to cut the story off there, in multiple ways. I’ll talk about the musicians, and about the music. About how the musicians influenced each other, and about the cultural forces that shaped them. In early episodes, you’ll hear me talk about the impact the Communist Party, a series of strikes, and a future governor of Texas would all have on rock and roll’s prehistory. But more importantly you’ll hear me talk about the songs and the singers, the instrumentalists and the record producers. I shall be using a somewhat expansive definition of rock or rock and roll here, including genres like soul and disco, because those genres grew up alongside rock, were prominent at the same time as it, and both i
loading...